Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Betrothed: A Tale of the Times of Maria Theresa (1831)

The azure depths of the eyes, in the one, mirrored every thought and every feeling; those of the other expressed but what they chose should appear. Each had the same fair broad forehead; but in the elder one a slight contraction of the brow had become habitual. Both stepped with the stately bearing of a noble race; but Maria Theresa moved as if over the neck of a prostrate world, while Josepha seemed as if she would have turned aside rather than crush the meanest worm on her path. Both were splendidly dressed—the young princess as a bride
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Betrothed: A Tale of the Times of Maria Theresa (1831)

But human faces, and human voices, the cheerfulness of the lights, or even her favourite Pauline's bird-like song, were of no avail against the terror which every moment seemed to weigh more heavily on her spirits. With hurried and yet timid steps, starting, though she knew not why, at the least noise, Josepha began to pace the room. A low rap at the door interrupted her walk, and the confessor of the empress entered the apartment.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Betrothed: A Tale of the Times of Maria Theresa (1831)

It had caught to the empress's dress, and was shattered. The young duchess leaned against the casement and wept.
To the young it is a very bitter pang to know that their best feelings have been excited merely to be worked upon; but sorrow and shame were soon merged in a vague and terrible fear. The evening came on, and deepened into night. Still, amid the shadows, did Josepha fancy she could see the threatening brow of the empress, pale with anger. Solitude became insupportable, and she called her attendants.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature