Louis Joseph Vance

Louis Joseph Vance

The Cap-Box (1904)

Summary

Portrait of Louis Joseph Vance Louis Joseph Vance,  The Cap-Box (1904)

“ ON the brow of the rise, Alspaugh's mare halted in obedience to her rider's unspoken wish. Alspaugh himself crooked a lanky leg over the pommel of the saddle. Then he produced, filled, and lighted a corn-cob pipe, and gave himself over to a dreamy contemplation of the countryside, surveying the lay of the land through narrowed eyelids.
It drowsed in a shimmer of heat—a fair prospect of undulating farm-lands, golden and green, diversified with patches of timber, threaded by narrow streams that laughed back at the smiling skies, compassed round with rugged foothills; all infinitely peaceful.
”
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance,  The Cap-Box (1904)

“ The grove resounded with the staccato clamor of the keen ax-bits and the crashing of the fast-falling young trees. The men of the detail drawn from Alspaugh's regiment, Alspaugh himself among them—came from the half-cleared swamps of the Northwest, where they, even as their forebears, had hewn them their homes out of the living wilderness forests; past-masters in the art of the ax were they, before whom the slender saplings swept down like timothy before a scythe. ”
Source: Wikisource

Portrait of Louis Joseph Vance Louis Joseph Vance,  The Cap-Box (1904)

“ Noiselessly Alspaugh turned over and lay prone, wriggling toward the spot where the canvas had been slashed. As he reached it, the groping hand met his face; he seized it, and its mate pressed a revolver into his palm. They were the soft hands of a woman. He could put one and two together very satisfactorily; so he pressed her one hand to his two lips.
Stealthily as thieves in the night they made an arduous passage through the woodland. In one place they waited twenty minutes—as many years!—for a sentry to move to the further end of his beat.
”
Source: Wikisource

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