Lucy Maud Montgomery

Lucy Maud Montgomery

Summary

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Emily of New Moon (1923)

It was one of the bitter, small things in Laura Murray’s life that Elizabeth’s tyranny extended to candles.
Emily looked around her thoughtfully. One candle sputtered and bobbed at her as if greeting her. One, with a long wick, glowed and smouldered like a sulky little demon. One had a tiny flame—a sly, meditative candle. One swayed with a queer fiery grace in the draught from the door. One burned with a steady upright flame like a faithful soul.
“I—don’t know—Aunt Laura,” she answered slowly. “You can be—friends—with candles. I believe I like the candles best after all.”
Source: Wikisource

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Emily of New Moon (1923)

You can’t help liking God. He is Love itself, you know. You mustn’t mix Him up with Ellen Greene’s God, of course.”
Emily didn’t know exactly what Father meant. But all at once she found that she wasn’t afraid any longer—and the bitterness had gone out of her sorrow, and the unbearable pain out of her heart. She felt as if love was all about her and around her, breathed out from some great, invisible, hovering Tenderness. One couldn’t be afraid or bitter where love was—and love was everywhere.
Source: Wikisource

Portrait of Lucy Maud Montgomery Lucy Maud Montgomery Emily of New Moon (1923)

Laura, after all, was right. Emily had grown, taller and older, in soul, if not in body. It was this change which Laura felt, as close and tender affection swiftly feels. The Emily who returned from Wyther Grange was not the Emily who had gone there. She was no longer wholly the child. Aunt Nancy’s family histories over which she had pondered, her enduring anguish over the story of Ilse’s mother, that terrible hour when she had lain cheek by jowl with death on the cliffs of the bay shore, her association with Dean Priest, all had combined to mature her intelligence and her emotions.
Source: Wikisource

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