Mary Roberts Rinehart

Mary Roberts Rinehart

Summary

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Circular Staircase — Chapter XI (1908)

The country after dark oppresses me. The stars, quite eclipsed in the city by the electric lights, here become insistent, assertive. Whether I want to or not, I find myself looking for the few I know by name, and feeling ridiculously new and small by contrast—always an unpleasant sensation.
After Gertrude joined us, we avoided any further mention of the murder. To Halsey, as to me, there was ever present, I am sure, the thought of our conversation of the night before.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Circular Staircase — Chapter XI (1908)

Jamieson should learn only what was good for him to know.
We went back to the house, and Gertrude, who was more like herself since her talk with Halsey, sat down at the mahogany desk in the living-room to write a letter. Halsey prowled up and down the entire east wing, now in the card-room, now in the billiard-room, and now and then blowing his clouds of tobacco smoke among the pink and gold hangings of the drawing-room. After a little I joined him in the billiard-room, and together we went over the details of the discovery of the body.
Source: Wikisource

Portrait of Mary Roberts Rinehart Mary Roberts Rinehart The Circular Staircase — Chapter XI (1908)

I said decidedly.
"Geist thought it might be a maid, as you had got a supply that day. But he said her getting out near the gate puzzled him. Anyhow, we have now one veiled lady, who, with the ghostly intruder of Friday night, makes two assets that I hardly know what to do with."
"It is mystifying," I admitted, "although I can think of one possible explanation. The path from the Greenwood Club to the village enters the road near the lodge gate. A woman who wished to reach the Country Club, unperceived, might choose such a method. There are plenty of women there."
Source: Wikisource

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