Mary Stewart Cutting

Mary Stewart Cutting

Summary

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — The Shell (1920)

She wore a plain white cotton frock, not an evening frock at all; but the slipper that showed under it was silver-buckled and bronze, like her hair. The first greetings over they sat regarding each other.
"Well!" she said, smiling.
"Well!" he returned. He put his hand in his pocket. "Here's my half of the shell."
She bent over to touch its tiny translucence with her finger tips. "Oh, I've lost mine—I'm so sorry! But it really doesn't matter, does it? I matched the thought. That counts the same, doesn't it?"
"It surely does," said Taunton, his twinkling, deep-set eyes scanning her face.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — The Shell (1920)

You've run yourself long enough without anybody to stop you; it's idiotic, it's suicidal! Do you hear? You're going to do just as I say. I am the Master of your fate, I am the Captain of your darling soul in this instance! What—what, dear—what? Why—Carina!"
The blood suddenly mounted to his face—she was looking at him as that lovely bride had looked at Grimshaw.
Source: Wikisource

Portrait of Mary Stewart Cutting Mary Stewart Cutting Some of Us Are Married — The Shell (1920)

But all my friends, and at the office—they are furious at me for having Gladys here. They think it's too much for me to do, though a woman comes for a few hours in the daytime, when I'm away. But Gladys has been so very ill—she couldn't be moved! And they don't understand. Of course the crowd can't come here now, and I can't leave; they think me headstrong. But it would be all right, really, if it were not for Bert."
"Why, Bert?" queried Taunton, deeply moved.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature