Summary

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Euphemia Clashthought (1912)

The pack of goblins glance up the drive with nudging elbows and whisperings of "Where is daughter Euphemia? Where Sir Rebus, her affianced?"
Off they scamper for a peep through the windows of the house. They throng the sill of the library, ears acock and eyelids twittering admiration of a prospect. Euphemia was in view of them—essence of her. Sir Rebus was at her side. Nothing slips the goblins.
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Euphemia Clashthought (1912)

As by some such law as lurks in meteorological toy for our guidance in climes close-knit with Irony for bewilderment, making egress of old woman synchronise inevitably with old man's ingress, or the other way about, the force that closed the aphorist's eye-lids parted his lips in degree according. Thus had Euphemia, erect on hearth-rug, a cavern to gaze down into.
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Euphemia Clashthought (1912)

They shall have learned esprit de corps before they enslave us." This was one of his happiest flings to general from particular. "Visual distraction cries havoc to ultimate delicacy of palate" would but have pinned us a butterfly best a-hover; nor even so should we have had truth of why the aphorist, closing note-book and nestling back of head against that of chair, closed eyes also.
Source: Wikisource

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