Max Pemberton

Max Pemberton

Summary

Portrait of Max Pemberton Max Pemberton The Garden of Swords

Edmond was dying, they said. She would not hear them.
He lay upon a soldier’s bed, a curtain shielding his eyes, one white hand clasping the hot fingers which had never left his own; the other stroking the coverlet as men, sick unto death, will in the last hours that life may give them. Once only since fate struck him down had he opened his eyes to the sunlight, or recognised who it was that stood with him at the end; but that instant of recognition was never to be forgotten. Beatrix remembered, through the years, the voice that uttered her name then in a transport of pity and love.
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton The Garden of Swords

So does Death ride upon the coach of Life—and so, in that sunny city of Strasburg, where the bells rang a merry note, and the people feasted, and the old cathedral trembled to the swelling notes of its mighty organ, were there those who thought of the aftermath of years and of the hands for ever still. And this thought they remembered at a later day, so soon to come, when the thunder of the guns made music for their ears, and the priests who had lifted their hands to bless the living went out to the homes of the dying and the dead.
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton The Garden of Swords

The sun had hardly begun to shine upon the glades of the Niederwald on the last day of July when Beatrix opened the window of her bedroom and looked over the woods and the green vineyards to the little white town of Wörth and the glistening river in the hollow of the valley. It was her habit now to wake at dawn, for sleep had ceased to be her friend; and there was a morning hope of the sunshine as though the day would bring some news of Edmond or of his regiment. Sometimes in her dreams she would believe that the reality was but imagination, or that she would awake to hear her husband’s voice.
Source: Gutenberg

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