Summary

Methodius Ante-Nicene Fathers Vol. VI, Banquet of the Ten Virgins… (1885)

And now that these things are completed, it remains for you to apply this picture, my wisest of friends, to the things which have been already spoken of; comparing the house to the invisible nature of our generation, and the entrance adjacent to the mountains to the sending down of our souls from heaven, and their descent into the bodies; the holes to the female sex, and the modeller to the creative power of God, which, under the cover of generation, making use of our nature, invisibly forms us men within, working the garments for the souls.
Source: Wikisource

Methodius Ante-Nicene Fathers Vol. VI, Banquet of the Ten Virgins… (1885)

So, in like manner, the violators of marriage, and those who break the strings of the harmony of life, as of a harp, raging with lust, and letting loose their desires in adultery, should themselves be tortured and punished, for they do a great wrong stealing from the gardens of others the embraces of generation; but the seed itself, as in the case of the wool, should be formed and endowed with life.
Source: Wikisource

Methodius Ante-Nicene Fathers Vol. VI, Banquet of the Ten Virgins… (1885)

Those who carry the clay represent the male sex in the comparison; when thirsting for children, they bring and cast in seed into the natural channels of the female, as those in the comparison cast clay into the holes. For the seed, which, so to speak, partakes of a divine creative power, is not to be thought guilty of the incentives to incontinence; and art always works up the matter submitted to it
Source: Wikisource

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