Michel de Montaigne,
Essays — The Second Chapter: Of Sadnesse or Sorrowe
“ The invention of that ancient Painter might happily fit this purpose, who in the sacrifice of Iphigenia, being to represent the griefe of the by-standers, according to the qualitie and interest each one bare for the death of so faire, so young and innocent a Lady, having ransacked the utmost skill and effects of his art, when he came to the Virgins father, as if no countenance were able to represent that degree of sorrow, he drew him with a vaile over his face. ”
