Summary

Ou-yang Hsiu More Translations from the Chinese… (1919)

In Spring, growth; in Autumn, fruit: that is Heaven's plan. Therefore in music the note shang is the symbol of the West and I-tsē is the pitch-pipe of the seventh month. For shang means 'to strike'; when things grow old they are stricken by grief. And I means 'to slay'; things that have passed their prime must needs be slain. Plants and trees have no feelings; when their time comes they are blown down. But man moves and lives and is of creatures most divine. A hundred griefs assail his heart, ten thousand tasks wear out his limbs, and each inward stirring shakes the atoms of his soul.
Source: Wikisource

Ou-yang Hsiu More Translations from the Chinese… (1919)

And all the more, when he thinks of things that his strength cannot achieve or grieves at things his mind cannot understand, is it strange that cheeks that were steeped in red should grow withered as an old stick, and hair that was black as ebony should turn as spangled as a starry sky? How should ought else but what is fashioned of brass or stone strive to outlast the splendour of a tree? Who but man himself is the slayer of his youth? Why was I angered at Autumn's voice?
Source: Wikisource

Ou-yang Hsiu More Translations from the Chinese… (1919)

Pleasant grasses grew soft and green, vying in rankness. Fair trees knit their shade and gave delight. Autumn swept the grasses and their colour changed; she met the trees, and their boughs were stripped. And because Autumn's being is compounded of sternness, therefore it was that they withered and perished, fell and decayed. For Autumn is an executioner, [3] and her hour is darkness. She is a warrior, and her element is metal.
Source: Wikisource

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