Summary

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XXVIII. THE FINAL ATTEMPT (1912)

The chauffeur worked on, unheeding.
"This is his busy day," said the first thick-neck, with satire. "Guy's too full of work to talk to us."
"Deaf, shouldn't wonder," surmised the Kid. "Say, wonder what's he doing with a taxi so far out of the city."
"Some guy tells him to drive him out here, I guess. Say, it'll cost him something, too. He'll have to strip off a few from his roll to pay for this."
John glanced at Mr. Parker, quivering with excitement. It was his last chance. Would the Kid think to look inside the cab, or would he move on? Could he risk a shout?
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XXVIII. THE FINAL ATTEMPT (1912)

The fact that the chauffeur, who seemed to be a taciturn man, lacking the conversational graces, manifestly objected to an audience, deterred him not at all. One cannot have everything in this world, and the Kid and his attendant thick-necks were content to watch the process of mending the tire, without demanding the additional joy of sparkling small talk from the man in charge of the operations.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XXVIII. THE FINAL ATTEMPT (1912)

Mr. Parker's right hand came swiftly out of ambush, and something gleamed in the sun.
"Don't move," said Mr. Parker. The hard nozzle of a pistol pressed against John's chest. "Keep that hand still."
John dropped his hand. Mr. Parker leaned back, with the pistol resting easily on his knee. The cab began to move more quickly.
John's mind was in a whirl. His chief emotion was not fear, but disgust that he should have allowed himself to be trapped, with such absurd ease. He blushed for himself. Mr.
Source: Wikisource

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