Philip Curtiss

Summary

Philip Curtiss,  Mummers in Mufti — Chapter 20 (1922)

“ Odd that in all the hundreds of times he had sat in a theater he had never thought of doing that before. He had counted to twenty-seven in one row when another ripple of laughter swept over the house and he looked up at the stage. Charlie Barnes, in a big red wig and with a helpless, pathetic air, was holding the center of the scene in an eccentric dance, a form of amusement which Bellsmith had always peculiarly detested, but Israels leaned over to him.
"You want to watch that fellow, Charlie Barnes. He's the best drawing card you 've got."
”
Source: Wikisource

Philip Curtiss,  Mummers in Mufti — Chapter 20 (1922)

“ He turned to Israels and spoke in the low tones that both of them had instinctively adopted.
"There is not much of a house here to-night."
Israels looked slowly down at the empty seats, and it was a minute before he spoke—with forced casualness.
"Monday night," he remarked. "Always a bad night on the road."
His tone was perfectly nonchalant, but it still left a reluctant fragment of doubt in Bellsmith's mind. He suddenly began to wonder what a performance would pay if every seat were taken—what the "house would hold."
”
Source: Wikisource

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