Summary

Portrait of Robert Browning Robert Browning Bells and Pomegranates, Second Series (1897)

The eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love, they pretend,
—Cower beneath them—the flat sea-pine crouches,
The wild fruit-trees bend,
E'en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
'Tis a sensual and timorous beauty—
How fair, but a slave!
Source: Wikisource

Portrait of Robert Browning Robert Browning Bells and Pomegranates, Second Series (1897)

And the whitethroat builds, and all the swallows
Hark! where my blossomed pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent spray's edge—
That's the wise thrush; he sings each song twice over
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields are rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower,
—Far brighter than this gaudy melon-flower!
Source: Wikisource

Portrait of Robert Browning Robert Browning Bells and Pomegranates, Second Series (1897)

This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion's, each smoother and whiter—
Next sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear's red flesh
That leaves thro' its juice
The stony black seeds on your pearl-teeth.
. . . Scirocco is loose!
Hark! the quick pelt of the olives
Which, thick in one's track,
Tempt the stranger to pick up and bite them
Tho' not yet half black!
Source: Wikisource

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