Robert Louis Stevenson

Robert Louis Stevenson

Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Vailima Letters — Chapter XVIII (1895)

“ It rained all the way, seven miles; the road, which begins in triumph, dwindles down to a nasty, boggy, rocky footpath with weeds up to a horseman's knees; and there are eight pig fences to jump, nasty beastly jumps - the next morning we found one all messed with blood where a horse had come to grief - but my Jack is a clever fencer; and altogether we made good time, and got to Malie about dark. It is a village of very fine native houses, high, domed, oval buildings, open at the sides, or only closed with slatted Venetians. To be sure, Mataafa's is not the worst. ”
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Vailima Letters — Chapter XVIII (1895)

“ As for women, I am no more in any fear of them; I can do a sort all right; age makes me less afraid of a petticoat, but I am a little in fear of grossness. However, this David Balfour's love affair, that's all right - might be read out to a mothers' meeting - or a daughters' meeting. The difficulty in a love yarn, which dwells at all on love, is the dwelling on one string; it is manifold, I grant, but the root fact is there unchanged, and the sentiment being very intense, and already very much handled in letters, positively calls for a little pawing and gracing. ”
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson,  Vailima Letters — Chapter XVIII (1895)

“ THE YOUNG CHEVALIER is a story of sentiment and passion, which I mean to write a little differently from what I have been doing - if I can hit the key; rather more of a sentimental tremolo to it. It may thus help to prepare me for SOPHIA, which is to contain three ladies, and a kind of a love affair between the heroine and a dying planter who is a poet! ”
Source: Wikisource

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