Rudyard Kipling

Rudyard Kipling

Summary

Portrait of Rudyard Kipling Rudyard Kipling The Parable of Boy Jones (1910)

Boy Jones, with a grunt and a jerk of the shoulder, pulled the trigger. The right-hand window of the shed, six feet above the target, starred and cracked.
The boy who cleans the knives at the Vicarage buried his face in his hands; Jevons, the bricklayer’s assistant, tied up his bootlace; the Fellow of the Royal Geographical Society looked at the roof; the village barber whistled softly. When one is twenty-two years old, and weighs twelve-stone-eight in hard condition, one does not approve of any game that one cannot play very well.
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling The Parable of Boy Jones (1910)

The long shed of the Village Rifle Club reeked with the oniony smell of smokeless powder, machine-oil, and creosote from the stop-butt, as man after man laid himself down and fired at the miniature target sixty feet away. The Instructor’s voice echoed under the corrugated iron roof.
“Squeeze, Matthews, squeeze! Jerking your shoulder won’t help the bullet. . . . Gordon, you’re canting your gun to the left. . . . Hold your breath when the sights come on. . . . Fenwick, was that a bull? Then it’s only a fluke, for your last at two o’clock was an outer. You don’t know where you’re shooting.”
Source: Wikisource

Portrait of Rudyard Kipling Rudyard Kipling The Parable of Boy Jones (1910)

They know shooting’s over as well as we do. You come here with a shot-gun, and you won’t see a single tail; but they don’t put ’emselves out for a rifle. Look, there’s the Parson!” He pointed at a bold, black rabbit sitting half-way up the butt, who loped easily away as the Marker ran up the large nine-hundred-yard bull. Boy Jones stared at the bullet-splintered framework of the targets, the chewed edges of the woodwork, and the significantly loosened earth behind them. At last he came down, slowly it seemed, out of the sunshine, into the chill of the trench.
Source: Wikisource

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