Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould An Old English Home and Its Dependencies… (1898)

The ceiling had been repeatedly whitewashed, but ever through the coverings that overlaid it, the butter mark reasserted itself.
I cannot say whether it was this which causes me always, on entering a room, to direct my eyes to the ceiling—but I do, and observe it always with much interest.
The ceiling of the world is not one blank space; it is sprinkled with stars at night, and strewn with clouds by day. Why then should the ceilings of our rooms be blank surfaces? We spread carpets of colour on our floors. We decorate richly our walls.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould An Old English Home and Its Dependencies… (1898)

He at once went down with two carpenters and ripped strips through the lovely ceiling from one end of the room to the other, utterly destroying this incomparable work, that must have occupied the artist months of patient labour, and which had called forth the best efforts of his genius.
That is how mulish stupidity is every day destroying the achievements of genius.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould An Old English Home and Its Dependencies… (1898)

I went to my bewitched mason and said to him, 'Thomas, I wish you would help me. I am very anxious to have a first-class decorated ceiling to that ball-room, and you know what these Londoners be: they do all by machinery, and you buy a ceiling by the yard—nasty, vulgar stuff I would be ashamed to have seen here. I'll tell you what it is, Thomas, those Londoners come out of town and sail about the country in the holiday time picking up ideas. I think we must show them how a thing in ceilings ought to be done, and let them understand that we are not such fools as they take us to be.
Source: Wikisource

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