Sabine Baring-Gould

Sabine Baring-Gould

Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Rose of June (1899)

It would seem as if all lands on which the sun shines warm had their special roses. There is the rose of Provence, the China rose, the Japan rose, the rose of Damascus, of Sharon, of the Caucasus, the double yellow from Constantinople, the Austrian briar, the rose of Jericho, the true hateful plant of the Dead Sea wastes, and Scotland sends us the Banksia.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Rose of June (1899)

June is the month of roses. It is then that the wild rose wreathes our hedgerows with its bloom. It is everywhere lovely, and the sweetbriar exhales one of the most delicious of fragrances. It was a custom in England for girls to gather a rose on Midsummer Eve, wear it all day, and then place the petals in a Prayer Book and note whether it lost its hue before New Year’s Day, and take omen thereby.
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould The Rose of June (1899)

That charming little wall painting shows us that they had in their gardens, and twined against their houses, roses of various colors and in great perfection.
Livia must have been fond of flowers. Her country villa at Primaporta has also been unearthed, and the atrium or central hall there has all the walls painted to resemble the lattice work of a garden with flower beds inside, and without landscapes in perspective of woodland. It is altogether a lovely production; the atmospheric effect of distance among the trees is quite such as we might expect of a modern artist.
Source: Wikisource

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