Sax Rohmer

Sax Rohmer

Summary

Portrait of Sax Rohmer Sax Rohmer,  Bat Wing — Chapter VI (1921)

“ Indeed, if the eccentricity of the designer of Cray’s Folly were not sufficiently demonstrated by the peculiar plan of the building, its construction wholly of granite and oak must have remarked him a man of unusual if substantial ideas.
There were four long windows opening on to a veranda which commanded a view of part of the rose garden and of three terraced lawns descending to a lake upon which I perceived a number of swans. Beyond, in the valley, lay verdant pastures, where cattle grazed. A lark hung carolling blithely far above, and the sky was almost cloudless.
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Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  Bat Wing — Chapter VI (1921)

“ We turned and stood looking up at the unsightly gray structure, with its geometrical rows of windows and the minaret-like gallery at the top.
“Of course”—I broke a silence of some moments’ duration—“the entire scheme of Cray’s Folly is peculiar, but the rooms, except for a uniformity which is monotonous, and an unimaginative scheme of decoration which makes them all seem alike, are airy and well lighted, eminently sane and substantial. The tower, however, is quite inexcusable, unless the idea was to enable the occupant to look over the tops of the trees in all directions.”
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Source: Wikisource

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