Sax Rohmer

Sax Rohmer

Summary

Portrait of Sax Rohmer Sax Rohmer Bat Wing — Chapter XIV (1921)

I saw that Colin Camber had detected my interest, for:
“Ah Tsong is really my wife’s servant,” he explained.
“Oh,” she said in a low voice, and looked at me earnestly, “Ah Tsong nursed me when I was a little baby so high.” She held her hand about four feet from the floor and laughed gleefully. “Can you imagine what a funny little thing I was?”
“You must have been a wonder-child, Mrs. Camber,” I replied with sincerity; “and Ah Tsong has remained with you ever since?”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Bat Wing — Chapter XIV (1921)

Her hair, which was of a curious dull gold colour, presented a mass of thick, tight curls, and her beauty was of that unusual character which makes a Cleopatra a subject of deathless debate. What I mean to say is this: whilst no man could have denied, for instance, that Val Beverley was a charmingly pretty woman, nine critics out of ten must have failed to classify this golden Spaniard correctly or justly. Her complexion was peach-like in the Oriental sense, that strange hint of gold underlying the delicate skin, and her dark blue eyes were shaded by really wonderful silken lashes.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer Bat Wing — Chapter XIV (1921)

For it was in Cuba that Colin Camber had met his wife, it was from Cuba that the menace of Bat Wing came.
What could it mean? Surely it was more than a coincidence that these two families, both associated with the West Indies, should reside within sight of one another in the Surrey Hills. Yet, if it were the result of design, the design must be on the part of Colonel Menendez, since the Cambers had occupied the Guest House before he had leased Cray’s Folly.
Source: Wikisource

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