Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — I. I SEE THE EYES (1920)

The shadow had not yet reached me.
We talked little enough on the way, for the breeze when it came was keen and troublesome, so that I was often engaged in clutching my hat. Except for a dejected-looking object, obviously a member of the tramp fraternity, who passed us near the gate of the old chapel, we met never a soul from the time that we left the police-box until the moment when the high brick wall guarding the Red House came into view beyond a line of glistening wet hedgerow.
"This is the house, constable," I said. "The garage is beyond the main entrance."
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — I. I SEE THE EYES (1920)

Standing in the shelter of the little hut, I listened to the rain dripping from over-reaching branches and to the gurgling of a turgid little stream which flowed along the gutter near my feet whilst now and again swift gusts of the expiring tempest would set tossing the branches of the trees which lined the way.
"It's much cooler to-night," said the sergeant.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — I. I SEE THE EYES (1920)

It commanded a view of a little kitchen-garden and beyond of a high hedge, with glimpses of sentinel trees lining the main road. The wind had dropped entirely, but clouds were racing across the sky at a tremendous speed so that the nearly full moon alternately appeared and disappeared, producing an ever-changing effect of light and shadow. At one moment a moon-bathed prospect stretched before me as far as the eye could reach, in the next I might have been looking into a cavern as some angry cloud swept across the face of the moon to plunge the scene into utter darkness.
Source: Wikisource

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