T. F. Legard

Punch, Volume 147, Issue 3834… (19th and 20th century)

Summary

T. F. Legard Punch, Volume 147, Issue 3834… (19th and 20th century)

Not quite fathoming the drift of Victorine's meditations we suggest that it is perhaps a Belgian refugee sparrow, at which her amusement is so intense that she is obliged to leave the room.
Sometimes her hancy takes great flights, for she is very high-minded. Her weekly bath gives rise to much lofty philosophical reflection, and she has come to the firm conclusion that it is "mieux que manger." Also she has great taste, of which she occasionally gives us the benefit. She laughs scornfully at certain objets d'art and praises others.
Source: Wikisource

T. F. Legard Punch, Volume 147, Issue 3834… (19th and 20th century)

It is therefore with almost choking pride that we receive her praise, though it is often, we fear, of a disingenuous nature.
"It is plain that Miss has the eye artistic: that sees itself well in the new basin she has bought to replace the one that fall by hazard and burst itself. Monsieur also has the eye straight. In effect the picture there that Monsieur designs is of a justness, but of a justness! One would say the place itself," leaning back and half closing her eyes. "In Belgium could it not be better done. No. It is I, Victorine, who say it.
Source: Wikisource

T. F. Legard Punch, Volume 147, Issue 3834… (19th and 20th century)

Ornaments, if they they meet with her approval, are arranged in rigid lines of continuous beauty, less favoured ones being pushed into the background, and books are disposed with assumed carelessness in thoughtful postures. Though it is plain she thinks little of our taste in general, her disapproval is usually silent.
Source: Wikisource

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