Summary

Portrait of Theodore Winthrop Theodore Winthrop “The Heart of the Andes” — Part 11 – The glade on the right foreground (1863)

A perfect garden, — crowded with infinite delicacy and refinement of leaf and flower, — where there is no spot that is not blossom, or leafage, or dim recess where faded petals may lie, — where all seems so fair with these cloud-like creatures of white, these wreaths of azure bloom, and stars of scarlet, that this gentler beauty of earth almost wins us to forget the grander beauty we have known on the summits far away.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop “The Heart of the Andes” — Part 11 – The glade on the right foreground (1863)

Twigs and sprays bare of foliage, and showing that the crumbling away of soil beneath is telling upon the more delicate members of the tree, strike forth and crinkle as they clutch sunlight. And yet there is no frivolous minuteness of detail in this masterly tree, leader of the trio, and its fellows; although every leaf and spray and twig seem to be there, alive and animate.. The Artist has here, as everywhere, produced his effect by the peremptory facts of form and color, without weakening precision by attempts to convey ambiguous semblances.
Source: Wikisource

Portrait of Theodore Winthrop Theodore Winthrop “The Heart of the Andes” — Part 11 – The glade on the right foreground (1863)

Midmost stands the stalwart masculine tree, oak-like in its muscular ramification, and upholding a compact crown of plentiful leafage. Light flashes everywhere in among its leaves, catches them as they turn and gilds them, slants across them sheenily, pierces athwart their masses into the dim hollows and fills them with gleams, stands at openings of cavernous recesses in the dense umbrage and reveals their mysterious obscurity.
Source: Wikisource

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