Summary

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 5. FROM ELEVEN O'CLOCK TO MIDNIGHT (1871)

It was somebody who, since the light had been extinguished, had taken advantage of the gloom, to come from some dark recess in the brewhouse and stand upon the brickwork of the copper. The fear which had at first paralyzed her lessened with the birth of a sense that fear now was utter failure: she was in a desperate position and must abide by the consequences. The motionless person on the copper was, equally with Manston, quite unconscious of her proximity, and she ventured to advance her hand again, feeling behind the feet, till she found the key.
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy Desperate Remedies — 5. FROM ELEVEN O'CLOCK TO MIDNIGHT (1871)

She had waited here whilst one might count fifty, when she heard a movement in the outhouse--a fragment once attached to the main building. This outhouse was partitioned into an outer and an inner room, which had been a kitchen and a scullery before the connecting erections were pulled down, but they were now used respectively as a brewhouse and workshop, the only means of access to the latter being through the brewhouse. The outer door of this first apartment was usually fastened by a padlock on the exterior. It was now closed, but not fastened. Manston was evidently in the outhouse.
Source: Wikisource

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