Summary

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 3, Chapter 9 (1895)

“ But Jude was far from seeing or criticizing these things; they were hidden by an indescribable consciousness of Arabella's midnight contiguity, a sense of degradation at his revived experiences with her, of her appearance as she lay asleep at dawn, which set upon his motionless face a look as of one accurst. ”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 3, Chapter 9 (1895)

“ Jude watched her disappear in the direction of the hotel, and entered the railway station close by. Finding that it wanted three-quarters of an hour of the time at which he could get a train back to Alfredston, he strolled mechanically into the city as far as to the Fourways, where he stood as he had so often stood before, and surveyed Chief Street stretching ahead, with its college after college, in picturesqueness unrivalled except by such Continental vistas as the Street of Palaces in Genoa; the lines of the buildings being as distinct in the morning air as in an architectural drawing. ”
Source: Wikisource

Portrait of Thomas Hardy Thomas Hardy,  Jude the Obscure — Part 3, Chapter 9 (1895)

“ Phillotson," murmured Jude. "You are dear, free Sue Bridehead, only you don't know it! Wifedom has not yet squashed up and digested you in its vast maw as an atom which has no further individuality."
Sue put on a look of being offended, till she answered, "Nor has husbandom you, so far as I can see!"
"But it has!" he said, shaking his head sadly.
When they reached the lone cottage under the firs, between the Brown House and Marygreen, in which Jude and Arabella had lived and quarrelled, he turned to look at it. A squalid family lived there now.
”
Source: Wikisource

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