Yekaterina Kuskova

Yekaterina Kuskova

The Shield (1917)

Summary

Portrait of Yekaterina Kuskova Yekaterina Kuskova The Shield (1917)

The answer is the same: "Jews, spies. . . ." The very arrival of such a train engenders an ill feeling toward the entire Jewish nation,—and how many such trains have arrived here lately! And if you were to stop and ask who established the guilt of these people, and whether it is thinkable that all these tens of thousands of men, women, and children should have been caught red-handed, no one will stop to listen to you. A Jew is a spy,—this is the only impression that becomes indelibly branded in the brains of the Russian population which witnesses the new tragedy of the Jewish nation.
Source: Wikisource

Portrait of Yekaterina Kuskova Yekaterina Kuskova The Shield (1917)

How else can a plain man construe this fact than that the Jews are spies, dangerous people, in short, our internal enemy? And so this one-year-old baby whose puffed-up, tiny hand hangs down from its mother's shoulder is also an enemy, just as is this sad girl wearily skulking in a corner, and this old man with his shaking head and wrinkled hands,—all these are our enemies, otherwise why should they have been deported before the arrival of the foe?
Source: Wikisource

Portrait of Yekaterina Kuskova Yekaterina Kuskova The Shield (1917)

But to entrain worn-out people and send them anew into the unknown,—it is painful even to imagine it. Think of it: to grow accustomed to the place, to the people who take care of you,—and then again a train, a flashing of a station, and the final outrage of the arrival.
Source: Wikisource

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