by Mary Roberts Rinehart and Avery Hopwood, The Bat — 15. The Sign of the Bat (1926)
“ Miss Cornelia rapidly revised her first impressions of the stranger. When he had first fallen through the doorway into Beresford's arms she had not known what to think. Now, in the brighter light of the living-room she saw that the still face, beneath its mask of dirt and dried blood, was strong and fairly youthful—if the man were a criminal, he belonged, like the Bat, to the upper fringes of the world of crime. She noted mechanically that his hands and feet had been tied—ends of frayed rope still dangled from his wrists and ankles. ”
