Émile Chartier

Summary

Émile Chartier System of the Fine Arts; Book 1… (1920 | notes)

I understand that the mechanism of the body makes its power felt there, that a strong emotion is felt and perceived, inseparable from the bodily movements, and at the same time that a belief verisimilar, but anticipated and finally without object has produced itself; the whole together has the character of an empassioned expectation, imaginary in one sense, but very real in the tumult of the body.
Source: Wikisource

Émile Chartier System of the Fine Arts; Book 1… (1920 | notes)

In place therefore of believing, what is properly the folly of the imagination, that it is the object supposed which effects proof and produces the emotion, it is reasonable to think that it is the emotion which effects proof, and gives in this way sense and consistency to some impressions by themselves poorly determined. When one imagines a voice in the ticking of a clock, one still does not hear but a clock ticking, and the least attention assures us of it.
Source: Wikisource

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