A. J. Vogan

Biographical details

A. J. Vogan The Black Police: A Story of Modern Australia

This desert country, however, is left behind by the time the dull-red sunset has begun to tinge the pillar of dust raised by the horses of a lovely rose colour, and at last a détour is made from Billy’s old tracks in order to reach a water-hole known only to the Myall (native) pilots. And Claude blesses his black friend Billy, in his heart, for having procured the guides, as he sees the horses prick their dust-covered ears, and liven up as they sniff the refreshing odour of the little mud-surrounded pool of dirty liquid.
The next few days’ travelling are monotonous in the extreme.
Source: Gutenberg

A. J. Vogan The Black Police: A Story of Modern Australia

Claude Angland. As he stands there before us in a loosely-fitting Norfolk jacket and Bedford cords, his dark-brown, wide-brimmed felt hat—light as gossamer—thrown back from his honest, sunburnt face, he looks the beau idéal of what an intelligent, active pioneer in a new country should be. Old ladies would call him “a fine young man to look at;” younger members of the female persuasion, although denying his right to be termed handsome, would naturally turn to him in trouble or in danger, in preference to many a more showy individual.
Source: Gutenberg

A. J. Vogan The Black Police: A Story of Modern Australia

There is something so piercing in that note of anguish, something that seems so like some echo from the past, that hardened as the squatter is by a large previous experience of such scenes, he feels a passing pang of remorse tapping at his heart strings.
Morth and the other men are scrambling back down the hill; some making for the horses, others for the creek. For, as though bearing a charmed life, the Myall, having hitherto escaped unhurt from the hail of bullets aimed at him, is now bounding over the plain with the speed of an antelope towards the river’s angry tide.
Source: Gutenberg

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