John Lawrence Finnerty

Biographical details

Portrait of John Lawrence Finnerty John Lawrence Finnerty Catholic Encyclopedia (1913)

This work afforded little scope to Fra Guglielmo's imaginative powers, but its masterly execution places him among the greatest artists of his time, second only to his master, Niccolo Pisano. On the other hand, the figures show some faultiness characteristic of the period in the stiffness and lack of finish in the extremities. They are also crowded into too narrow limits.
Source: Wikisource

Portrait of John Lawrence Finnerty John Lawrence Finnerty Catholic Encyclopedia (1913)

He was a pupil of Niccolo Pisano, who had then brought the art of sculpture to a great perfection, modelled on Greek and Roman ideas, matured by the study of actual truth, and preserving only such traditions of the earlier medieval school as seemed necessary for Christian art at a time when art was truly the handmaid of religion. Agnelli joined the Dominican Order at Pisa in 1257, as a lay brother. He was soon engaged in work on the convent of the brethren at Pisa and built the campanile of the Abbey of Settimo, near Florence.
Source: Wikisource

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