Leonard Williams

Biographical details

Leonard Williams,  The Arts and Crafts of Older Spain…

“ Do we not find it in her paintings, on her stone and metal rilievi, or carved in wood upon the stalls of her cathedrals? Therefore the key, just like the sword, seemed, in the warm imagination of the Spaniards, to be something almost sacred. The legislative codes of Old Castile are most minute in their relation of its venerated attributes. Nor were the Spanish Muslims less alive to its importance than their foe, taking it also for an emblem of their own, and planting it in lordly eminence upon their gates and towers of Cordova, and Seville, and Granada. ”
Source: Gutenberg

Leonard Williams,  The Arts and Crafts of Older Spain…

“ But the power of discriminating between a genuine or well-made object and a piece of counterfeit or worthless rubbish is, among all peoples, better sought for and developed by experience than by legislation; and there was something noxiously prosaic in a code of city ordinances which forbade the craftsman to prepare his own design, or choose his own material, or establish his own prices. How violently, or at least how primitively, hostile to the sense of art must not have been these Christian sons of Spain to need—or think they needed—so impertinent and tyrannous a system of protection! ”
Source: Gutenberg

Leonard Williams,  The Arts and Crafts of Older Spain…

“ To-day the craft of finely decorating arms is not forgotten in Morocco. “A silversmith advanced to show a half-completed silver-sheathed and hafted dagger, engraved with pious sentences, as, “God is our sufficiency and our best bulwark here on earth,” and running in and out between the texts a pattern of a rope with one of the strands left out, which pattern also ran round the cornice of the room we sat in, and round the door, as it runs round the doors in the Alhambra and the Alcazar, and in thousands of houses built by the Moors, and standing still, in Spain. ”
Source: Gutenberg

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