Quotes and text excerpts about "art"

“ Art is not an escape from life and a refuge; it is a challenge and reënforcement. Its action is not to make us less conscious but more; in it we are not to lose ourselves but to find ourselves more truly and more fully. ”

“ Art is an evocation of beautiful emotions: art is art in the degree that it succeeds in this evocation: drama succeeds in an inferior degree. Whatever emotion drama may succeed brilliantly in evoking, another art succeeds in evoking more brilliantly. ”

“ Art is the one corner of human life in which we may take our ease. To justify our presence there the only thing demanded of us is that we shall have felt the representational impulse. In other connections our impulses are conditioned and embarrassed; we are allowed to have only so many as are consistent with those of our neighbours; with their convenience and well-being, with their convictions and prejudices, their rules and regulations. Art means an escape from all this. ”

“ Art is the expression of a certain attitude towards reality, an attitude of wonder and value, a recognition of something greater than man; and where that recognition is not, art dies. In a society valuing only itself, believing that it can make a heaven of itself out of its own skill and knowledge and wisdom, the difference between the beauty of nature and the beauty of art is no longer seen, and art loses all its own beauty. ”

“ Art, in fact, is a human activity in which we try to exercise our wills. We are aware that it is threatened with decadence by the mere process of our civilization, that it is much more difficult for us to produce living art than it was for our forefathers of the Middle Ages. ”

“ Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothecated perfect human being. ”

“ ART, a word in its most extended and most popular sense meaning everything which we distinguish from Nature. Art and Nature are the two most comprehensive genera of which the human mind has formed the conception. Under the genus Nature, or the genus Art, we include all the phenomena of the universe. But as our conception of Nature is indeterminate and variable, so in some degree is our conception of Art. Nor does such ambiguity arise only because some modes of thought refer a greater number of the phenomena of the universe to the genus Nature, and others a greater number to the genus Art. ”

“ Art is the expression of personality. But it may be argued that all activity is self-expression, and so, to say that art is self-expression does not go far. But we have to remember that everywhere else, activity is a means to something else, while in beauty we have no ulterior aim. ”

“ The Artist for Art’s sake.—Morality in art is an accident of no importance. We hear the battle of which you speak, but do not take part in it, though we listen sometimes to the music of its trumpets far away, and see the red glow it throws up to the sky. But morality concerns our circumstances or possible circumstances, and so has nothing to do with the beautiful, which is art’s sole concern. A work of art that declares its sympathy with one or other party to your battle is one whose creator has looked aside to ends other than beauty. ”

“ A point to be carefully noted is the distinction between science and art. “Science investigates and brings to human perception such truths and such knowledge as the people of a given time and society consider most important. Art transmits these truths from the region of perception to the region of emotion” (p. 102) . Science is an “activity of the understanding which demands preparation and a certain sequence of knowledge, so that one cannot learn trigonometry before knowing geometry.” ”

“ Art is a means of culture, but art rightly understood and received. Art does not aim to teach. It may teach incidentally, tangentially to its circle, but instruction, either intellectual or ethical, is not its purpose. It fulfills itself in the spirit of the appreciator as it enables him in its presence to become something that otherwise he had not been. It is not enough to be told things; we must make trial of them and live them out in our own experience before they become true for us. As appreciation is not knowledge but feeling, so we must live our art. ”

“ Art is an embellishment of modern life, not an essential part of it. It is considered a means of pleasure or a means of amusement, not as part of the serious business of life. Even in the Renaissance, where art played a much more important rôle in the life of the community than it now does, it was still a by-product of man’s activity. ”

“ Art is itself life. Its function is to increase our consciousness of life, to make us more than wise or sensitive, to transform us from beings overwhelmed by the powerful stream of unconscious living to beings dominating that stream, to change us from objects acted upon by life to joyful collaborators in that reaction. ”

“ Art and science are very beautiful things; but just because they are so beautiful they should not be spoiled by the compulsory combination with them of vice: that is to say, a man should not get rid of his obligation to serve his own life and that of other people by his own labor. Art and science have caused mankind to progress. Yes; but not because men of art and science, under the guise of division of labor, have rid themselves of the very first and most indisputable of human obligations,—to labor with their hands in the universal struggle of mankind with nature. ”

“ Art is the expression of the human soul, of the eternal things in man; and to man it is as profoundly natural as is the song to the bird.
I have showed that art was the true expression of humanity, the grand differentia between men and the other animals; but there is another aspect of the matter. From the one proposition follows the other—if art be a mystery-language of the human soul it must have an interpretation. ”

“ It has constantly been assumed, that is to say, that Art is the sum of all the active energies of Mankind. We must in this matter of necessity follow Aristotle, who in his “Politics” spoke, as a matter of course, of all those who practice “medicine, gymnastics, and the arts in general” as “artists.” Art is the moulding force of every culture that Man during his long course 314has at any time or place produced. It is the reality of what we imperfectly term “morality.” It is all human creation.
Yet creation, in the active visible constructive sense, is not the whole of Man. ”

“ No, art is not an element of corruption. The man who drinks from a wooden bowl is nearer to the brute that drinks from a stone trough than he who quenches his thirst from a crystal cup; and the artist who gave the glass its shape, impressed as in a mould of bronze by the simple means of a second's breath and yet more cheaply than the fashioning of the wooden bowl, has done more to ennoble and improve his neighbour than any inventor of a system: in his work he gives him the use and the enjoyment of things for which orators can only create a craving. ”

“ But art is not a handicraft; it is the transmission of feeling the artist has experienced. And sound feeling can only be engendered in a man when he is living on all its sides the life natural and proper to mankind. And therefore security of maintenance is a condition most harmful to an artist’s true productiveness, since it removes him from the condition natural to all men,—that of struggle with nature for the maintenance of both his own life and that of others,—and thus deprives him of opportunity and possibility to experience the most important and natural feelings of man. ”

“ What is art? We shall give a definition, and take the rest of the book to prove it. We hope to prove it both psychologically, by watching the art process at work, and historically, by analyzing the art works of the ages. We assert:
Art is a representation of life, modified by the personality of the artist, for the purpose of modifying other personalities, inciting them to changes of feeling, belief and action. ”

“ Beautiful art can only be produced by people who have beautiful things about them, and leisure to look at them; and unless you provide some elements of beauty for your workmen to be surrounded by, you will find that no elements of beauty can be invented by them. ”

“ Architecture is an art for all men to learn, because all are concerned with it; and it is so simple, that there is no excuse for not being acquainted with its primary rules, any more than for ignorance of grammar or of spelling, which are both of them far more difficult sciences. ”

“ Most of you who take to the practice of art can find out in no very long time whether you have any gifts for it or not: if you have not, throw the thing up, or you will have a wretched time of it yourselves, and will be damaging the cause by laborious pretence: but if you have gifts of any kind, you are happy indeed beyond most men; for your pleasure is always with you, nor can you be intemperate in the enjoyment of it, and as you use it, it does not lessen, but grows: if you are by chance weary of it at night, you get up in the morning eager for it ”

“ Art never expresses anything but itself. It has an independent life, just as Thought has, and develops purely on its own lines. It is not necessarily realistic in an age of realism, nor spiritual in an age of faith. So far from being the creation of its time, it is usually in direct opposition to it, and the only history that it preserves for us is the history of its own progress. Sometimes it returns upon its footsteps, and revives some antique form, as happened in the archaistic movement of late Greek Art, and in the pre-Raphaelite movement of our own day. ”

“ The artist is not born to a life of pleasure. He must not live idle; he has a hard work to perform, and one which often proves a cross to be borne. He must realize that his every deed, feeling, and thought are raw but sure material from which his work is to arise, that he is free in art but not in life.
The artist has a triple responsibility to the non-artists: (1) He must repay the talent which he has; (2) his deeds, feelings, and thoughts, as those of every man, create a spiritual atmosphere which is either pure or poisonous. ”

“ The man who does a thing for the first time it is done is an artist; a man who does a thing better is an artist. The painter who copies his object imitatively, finding nothing, creating nothing, is an artisan, however skillful he may be. He is an artist in the degree in which he brings to his subject something of his own, and fashioning it, however crudely, to express the idea he has conceived of the object, so creates.
The difference between work which is art and work which is not art is just this element of the originating impulse and creative act. ”

“ I do not think that a man can understand how bad most of our work in art and literature really is, for the simple reason that he cannot see the lie in it. He believes, for instance, that we are such creatures as we represent ourselves to be in most of the books we write; we only try to believe it. Wherein is all the difference between a blunder and a lie. We cannot even draw ourselves, our passions and emotions—because we are accustomed to look at ourselves, our passions and emotions, not with our own eyes, but through the spectacles with which he has provided us. ”

“ Satire, the angry picture of human faults, is not great art; we can all be angry with our neighbour; what we want is to be shown, not his defects, of which we are too conscious, but his merits, to which we are too blind. ”

“ Beauty, we have seen, is an ambiguous term. If it means some given ideal which lays restrictions beforehand upon individual expressiveness, something of the nature of the easy beauty, which rules out what is beyond our capacity to grasp at a given moment, then it is very dangerous to say that beauty is the aim of art. It is dangerous, that is, if it means to us that we know beforehand what sort or type of thing our beauty is to be. For beauty is above all a creation, a new individual expression in which a new feeling comes to exist. ”

“ A man can no more be a poet or painter in the spiritual and only true sense without imagination, than an animal can be a bird without wings; and as, other things being equal, that bird can be longest on the wing and has the greatest range of flight which has the strongest pinions, so that painter is likely to have the farthest and keenest vision of all that is within the scope of his art, and the surest and most ample faculty of making known to others what he himself has seen, whose imagination is at once the most strong and quick. ”

“ Personality is a very mysterious thing. A man cannot always be estimated by what he does. He may keep the law, and yet be worthless. He may break the law, and yet be fine. He may be bad without ever doing anything bad. He may commit a sin against society, and yet realise through that sin his true perfection.
Mediæval art is charming, but mediæval emotions are out of date. One can use them in fiction, of course; but then the only things that one can use in fiction are the only things that one has ceased to use in fact. ”

“ A critic cannot be fair in the ordinary sense of the word. It is only about things that do not interest one that one can give a really unbiassed opinion, which is no doubt the reason why an unbiassed opinion is always absolutely valueless. The man who sees both sides of a question, is a man who sees absolutely nothing at all. Art is a passion, and, in matters of art, Thought is inevitably coloured by emotion, and so is fluid rather than fixed, and, depending upon fine moods and exquisite moments, cannot be narrowed into the rigidity of a scientific formula or a theological dogma. ”

“ Scientific knowledge is judgement about things that are universal and necessary, and the conclusions of demonstration, and all scientific knowledge, follow from first principles (for scientific knowledge involves apprehension of a rational ground) . This being so, the first principle from which what is scientifically known follows cannot be an object of scientific knowledge, of art, or of practical wisdom; for that which can be scientifically known can be demonstrated, and art and practical wisdom deal with things that are variable. ”

“ Men always want to be a woman's first love. That is their clumsy vanity. Women have a more subtle instinct about things. What they like is to be a man's last romance.
Anything approaching to the free play of the mind is practically unknown amongst us. People cry out against the sinner, yet it is not the sinful but the stupid who are our shame. There is no sin except stupidity.
One regrets the loss even of one's worst habits. Perhaps one regrets them the most. They are such an essential part of one's personality.
It is through art, and through art only, that we can realise our perfection ”

“ Beauty needs not to live for ever to be eternal—one instant is enough for her. Yes; that may be is true—but only there where personality is not, where man is not, where freedom is not; the butterfly's wing spoiled appears again and again for a thousand years as the same wing of the same butterfly; there sternly, fairly, impersonally necessity completes her circle . . . but man is not repeated like the butterfly, and the work of his hands, his art, his spontaneous creation once destroyed is lost for ever. ”

“ No one seems to be thinking or feeling or working. Not a soul has any experience of big striving, or of real and true living. They all eat and drink, do their office work, smoke and sleep and chatter nonsensically. When they touch upon emotion they grow sentimental ; when they reason they are childish. . . . One yearns for a full- blooded, sturdy, and capable personality ; these are all so many shadows, flitting about out of touch with the world." l These products of Western education are not persons but shadows. There is neither art in their life nor music in their souls. ”