Georg Brandes,
Main Currents in Nineteenth Century Literature - 6…
“ When, from the all-embracing thought of Hegel, the noble art of Platen, the polished wit of Börne, the lyric and satiric genius of Heine, the classic fulness of Immermann's Oberhof, we pass on to the men to whom the name Young Germany was more particularly applied, we feel the change to be in the artistic sense a fall—a fall from the confidence and perfect skill of masters to the immaturity and makeshifts of beginners. ”
