Summary

Portrait of Georg Brandes Georg Brandes Eminent Authors of the Nineteenth Century…

I merely wish to speak of Paludan-Müller as a thinker, as a poet; and as such he loved death, not immortality. How weary, how deadly weary of life is Tithon! With what earnestness Kalanus asks of Alexander: "O tell me, what can better be than death?" With what rapture does not Ahasuerus take refuge in his sheltered grave at the moment when all other poor mortals must arise from theirs, and with what blissful joy does not he repeat his refrain, "Away to repose, eternal!"
Source: Gutenberg

Portrait of Georg Brandes Georg Brandes Eminent Authors of the Nineteenth Century…

It is an existence such as that of Rinaldo in the enchanted gardens of Armida, and a veil of roseate hue is spread over all the surroundings, over the skies, as well as over the beautiful women of the island. It is a life passed amid song, clinking of goblets, love, and music, and sails on the sea of ether in eternal youth, during an eternal spring. And yet this life is never spiritless and insipid, nor are its enjoyments ever commonplace; they are blissful enjoyments. It is akin to the life of which so many noble enthusiasts among the Danish contemporaries of our poet dreamed
Source: Gutenberg

Portrait of Georg Brandes Georg Brandes Eminent Authors of the Nineteenth Century…

The bird dies and she has it stuffed. In her dying hour, she sees it in colossal size, with outspread wings, waiting to receive her and bear her upward into Paradise. This is like a profoundly melancholy parody on the conclusion of the legend. In one, as in the other, all is vision and illusion. Owing to the frailty of our nature, our capacity for being deceived, our need of consolation, and our readiness to sink into despair,—Flaubert seems to say,—one straw will serve us quite as well as another in our extremity.
Source: Gutenberg

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