Rhythm

“ Rhythm in all thought, and joyance every where—
Methinks, it should have been impossible
Not to love all things in a world so filled;
Where the breeze warbles, and the mute still air
Is Music slumbering on her instrument. ”

“ Now by rhythm I do not mean rhyme, nor metre, nor regularity. It has nothing necessarily to do with poetic measures nor with precision of rhymes. Let me attempt to convey what I mean by saying that the rhythm of a song is, as Irving Berlin said, the swing. To the swing of a song everything in it contributes. Perhaps it will be clearer when I say that rhythm is compounded of the exactness with which the words clothe the idea and with which the music clothes the words, and the fineness with which both words and music fit the emotion. Rhythm is singleness of effect. ”

“ While rhyme is a hindrance, rhythm seems to be the comrade of the poetic. Rhythm has a natural foundation. Under emotion, the blood rises and falls, the muscles contract and relax, and this action of the blood is as rhythmical as the rise and fall of the sea. In the highest form of expression, the thought should be in harmony with this natural ebb and flow. ”

“ It is helpful to think of rhythmic growth and motion, and not to allow the thought of a new rhythm to pass without identifying ourselves with it as fully as our imagination will allow.
We have the rhythm of the seasons, of day and night, of the tides, and of vegetable and animal life,—as the various rhythmic motions in the flying of birds. The list will be endless, of course, for the great law rules everything in Nature, and our appreciation of it grows as we identify ourselves with its various modes of action. ”

“ And why must the words begin to dance? The answer is to be perceived in the very nature of Rhythm, that old name for the ceaseless pulsing or "flowing" of all living things. So deep indeed lies the instinct for rhythm in our consciousness that we impute it even to inanimate objects. We hear the ticking of the clock as tíck-tock, tíck-tock, or else tick-tóck, tick-tóck, although psychologists assure us that the clock's wheels are moving with indifferent, mechanical precision, and that it is simply our own focusing of attention upon alternate beats which creates the impression of rhythm. ”

“ Anyone who wishes for improvement in health, strength, grace, ease, or vitality, or, in fact, in anything, must realize especially the significance of the law of rhythm.
Rhythm is a law of the whole universe. The music of the spheres is no fable. Observe, too, the rhythm of the seasons. Everywhere there is a co-ordination of the finite and the infinite, the individual and the universal,—a unity of forces acting in a sequence of natural co-ordinations. ”

“ Perhaps the music will begin by being solemn and grand, becoming even tragic, and gradually the tones and melody will rise to cheerfulness, the rhythm will become more animated and the tone swell out again until a perfect ecstasy of joy is reached—and all the while the figures of the pupils are harmonising absolutely with the music, trained as they are to listen accurately to every note, every accent, every change of key and, above all, every rhythm. ”

“ Rhythm, it has been well said, is a universal law of life: all the activities of the organism have their regular changes, their periodic rise and fall. The rhythm of a simple tune plays favourably on a child's ear, enhancing life according to this great law. His ear, his brain, his muscles take on a new joyous activity, and the tide of life rises higher. ”

“ As rhythm, then, a symphonic movement is like sublimated physical energy. As the first oscillations of its impulse strike our consciousness we are caught up into a world of movement which has the inevitability of star courses. We ourselves are all rhythm—rhythm imprisoned and awaiting release. In music we become one with all that [Pg 199] ceaseless movement or vibration without which there would be no physical or spiritual world at all. I say, then, that rhythm is the very heart of music ”

“ For as the water in some shallow brook ripples over and between the stones dancing in the sunshine, so these curves of movement, now in light and now in shadow, flow between these figures and flow over them, until the whole composition is a woven mass of rhythmic undulations. Rhythmic? Yes, it is just because these ripples or festoons present such a beautiful example of rhythm, that I have dwelt upon them. In fact it is the rhythmic movement of the composition that gives to this painting its greatest charm. ”

“ And all this rhythm and recurrence, borne in upon the brain—itself rhythmic—through intermittent senses, is converted into motion, and the mind, yielding utterly to its environment, knows the happiness of faith, the ecstasy of compliance, the rapture of congruity. ”

“ And here let me speak briefly on the topic of rhythm. Contenting myself with the certainty that Music, in its various modes of metre, rhythm, and rhyme, is of so vast a moment in Poetry as never to be wisely rejected—is so vitally important an adjunct, that he is simply silly who declines its assistance—I will not now pause to maintain its absolute essentiality. It is in Music, perhaps, that the soul most nearly attains the great end for which, when inspired by the Poetic Sentiment, it struggles—the creation of supernal Beauty. ”

“ And beyond this stretches the yet more inexhaustible domain of nature, its multitudinous minor rhythms, each various and distinguishable, merging into a grand rhythm of the whole, the eternal rhythm of life itself. ”

“ Here, then, in the regularizing of the number of thought-pulsations, we have another type of rhythm in poetry, and a rhythm which, coming from within, finds outward expression in sound. Cutting across the rhythm of stress, it breaks up the latter with its pauses, and imparts to the whole movement variety and richness.
But speech has not only its natural rhythm of stress-undulation and thought-pulsations; it has also, as we saw in the last chapter, a melody. The rise and fall of stress goes hand and hand with a rise and fall of pitch. ”

“ A rhythm was soon lost, and pandemonium reigned until we could find the rhythm again or start a new one. Sometimes half a dozen rhythms would be swinging simultaneously, each rhythm backed by a group that strove ardently to drown out the other rhythms. ”

“ There is in every thought, however simple or subtle, in every feeling, however evanescent or profound, an inherent rhythm which is as a material body to the thought's or emotion's soul. This native, inevitable rhythm—one might call it the rhythme juste, the exact rhythm—is the only fit expression for an intellectual or emotional idea ”

“ Rhythm is the name of the sense of relationship existing between duration and motion. Without rhythm there can be no real melody. In poetry the rhythm celebrates the exact relationship the thoughts sustain to each other. The rhythm creates a deeper interest, and consequently a deeper feeling, than would be created if this relationship were not celebrated by the regular recurrence of certain pleasing sounds. ”

“ When, as in verse, the sounds are pointedly addressed both to the ear and to the understanding, the rarity of the combination of aspects contributes a strain of feeling partly akin to that with which we follow an exhibition of skill, and partly to that with which we receive an unexpected gratuity....
Nor is this all. Rhythm perpetually not only transfigures the poetical expression of an idea, but makes the existence of that expression possible. ”

“ The rhythm is that characteristic quality which [Pg 180] distinguishes one language from another, the basis upon which it is built and around which all its elementary words cluster; its fundamental principle, its idiomatic expression, the music pervading its every syllable; the inflection, the rise and fall, the cadence of the voice; the spirit of a language, which is permanent and unchangeable.
The rhythm is an outcome of the mind; an influence which presides over spiritual-material issues. ”

“ Two streams of sound pass constantly through the inner ear of one who understands or appreciates the rhythm of our verse: one, never actually found in the real sounds which are uttered, is the absolute rhythm, its equal time-intervals moving on in infinitely perfect progression; the other, represented by the actual movement of the verse, is constantly shifting by quickening, retarding, strengthening or weakening its sounds, yet always hovers along the line of the perfect rhythm, and bids the ear refer to that perfect rhythm the succession of its pulsations. ”

“ All action and reaction whatever is rhythmic, both in nature and in man. "Rhythm is the rule with Nature," said Tyndall; "she abhors uniformity more than she does a vacuum." So deep-rooted, in truth, is this principle, that we imagine it and feel it where it does not exist, as in the clicking of a typewriter. Thus there is both an objective rhythm, which actually exists as rhythm, and a subjective rhythm, which is only the feeling of regularity resulting from a natural tendency of the mind to 'organize' any irregularity that we meet. ”

“ Rhythm is defined in general as a repeating series of time intervals. Events which occur in such a series are said to have rhythm. In aesthetics, it is the periodic recurrence of stress, emphasis, or accent in the movements of dancing, the sounds of music, the language of poetry. Subjectively it is the quality of stimulation due to a succession of impressions (tactual and auditory are most favorable) which vary regularly in objective intensity. We desire to understand the nature, and the source of the pleasing quality, of this phenomenon. ”

“ In it life is entirely fermented into rhythm, by which we mean not only rhythm of words, but rhythm of outline also; the beauty and impressiveness of the play do not depend only on the subject, the diction, and the metre, but on the fact that it has distinct and most evident form, in the musician's sense of the word. ”

“ CHAPTER II RHYTHM OF PROSE AND VERSE
It is clear now that all language is more or less definitely rhythmical; and that the two fundamental and determining elements of speech-rhythm are time and stress. It is clear also that the essential thing in our perception of rhythm is the experience or recognition of groups, these groups being themselves distinguished and set off by stress and time. ”

“ The orderly beauty which the tonal relations confer upon music is further enriched and complicated by rhythm. Rhythm in music is of two sorts: a rhythm of time and a rhythm of accent, or increased loudness. Through the one, the duration of a musical composition is divided up into approximately equal parts filled by notes and rests of definite length, and through the other, the light notes are subordinated to the heavy notes. ”

“ Highly important in poetry is Rhythm, but the word means merely 'flow,' so that rhythm belongs to prose as well as to poetry. Good rhythm is merely a pleasing succession of sounds. Meter, the distinguishing formal mark of poetry and all verse, is merely rhythm which is regular in certain fundamental respects, roughly speaking is rhythm in which the recurrence of stressed syllables or of feet with definite time-values is regular. ”

“ Rhythm in Verse.—Professor Jakob Minor has adduced a figure, valuable in helping us to realize what poetic rhythm is, when he remarks that to strike a bell twelve times, at exactly equal intervals, is to produce what may be called, indeed, a rhythmic effect, but not to awaken anything resembling the sensation of poetical rhythm. Into the idea of poetic rhythm enters an element of life, of pulse, of a certain inequality of time based upon an equality of tone. Rhythm ceases to be poetic, rhythm if it is mechanical or lifeless. ”

“ Even the silent mountain boulders are but the monuments of some terrible rhythmic convulsion of the earth in past ages. There is a rhythm in the humming bird and there is a rhythm in the movements of a giant locomotive. We are all rhythmic in our speech, our walk, and in our life more or less. How important then is the study of the rhythmic peculiarities of the new piece. Every contributing accent which gives motion and characteristic swing to the piece must be carefully studied. ”

“ It is only by a complete psychological description, however, even a physiological explanation, that we can hope to fathom the tremendous significance of rhythm in music and poetry. Those treatments which expose its development in the dance and song really beg the question; they assume the very fact for which we have to find the ground, namely, the natural impulse to rhythm. ”

“ In rhythm this is specially the case; while almost everybody has a natural liking for the common fundamental rhythms, it is only after long familiarity [186] with them that the ear grows dissatisfied, and wishes them to be broken; and there are very few persons indeed who take such a natural delight in rhythm for its own sake that they can follow with pleasure a learned rhythm which is very rich in variety, and the beauty of which is its perpetual freedom to obey the sense and diction. ”

“ Modern psychology has shown that all musical listening is action, a constructive response on the part of the listener.
7All rhythm is primarily a projection of personality. My rhythm flows from what I am. A large part of the pleasure in music comes from a satisfaction in what rhythm does. Rhythm facilitates perception by grouping; rhythm adjusts the stream of attention; rhythm gives a feeling of balance; rhythm gives a feeling of freedom, luxury and expanse; rhythm gives a feeling of power, it carries ”