H. Ernest Hunt

“ The bird sings, but he is ever expressing his soul in song: it is only the human singer who can utter sounds without significance. Music is never mere notes, never sound alone, but always the outer form as the expression and unfoldment of something deeper. Rhythm, melody, and harmony are simply the three-fold means of expression, both of the musician and of Mother Nature. Of the two, Nature makes the better Music, being closer to the heart of God. ”

“ Spirit is the force behind evolution, the force that makes the acorn unfold into the oak, and it is the urge of spirit which compels man to unfold his own divinity.
The artistic temperament, then, is the super-sensitive, and by this very virtue it creates its own difficulties. The artist is too responsive, too widely responsive unless he knows how to safeguard himself. Nature herself in her thousand moods plays upon the sensitive mind: she moulds it with her beauties, leads it out into the open with the call of the wild, or terrifies it with the grandeur of her anger. ”

“ A brass band will fill a whole street with glamour, and the normal person finds it quite impossible to be out of step with the rhythm of the march. Watch the way in which, as the Pied Piper of Hamelin drew the children after him, the band draws the elders to the window and the children to the street: the appeal is never in vain. Marching in time with the music tired feet forget their weariness, and new strength comes from the reserves of the greater self, liberated at the unspoken appeal of melody and rhythm. ”

“ When this knowledge informs our outlook we see that all that lives, moves: and even that which never seems to move, lives also in continual rhythm and response. The eternal hills are vibrant to the eye of science, and the very stones are pulsing with the joy of life. The countryside sings, and there is the beat of rhythm not merely in our hearts but in every particle of our body. Stillness is a delusion, and immobility a fiction of the senses. Life is movement and activity, and rigidity and stiffness come more near to what we understand as death. ”

“ Hence, in whatever age or clime we look, always there is to be seen man in quest for the unseen, after joy, beauty, truth, happiness, after all those spangles that glitter on the garment of love.
The mind of man is ever the tenuous instrument upon which are playing the invisible forces of inspiration. All the thoughts that have existed, exist still: all the thoughts that man can ever think are there already, they do but await the time and season in which he can sense and interpret them. ”

“ The melody and rhythm float out and call to the music lying hid in their hearts, and their self responds. Something within them demands instant expression, and they forget their slums in dancing their merry measure, till the music stops and the Italian passes on to raise Fairyland in the next slum. Music has given them a glimpse of something outside their dull and prosaic surroundings, it has touched their hearts with a glamour which is a glint of spiritual sunshine in a drab world. ”

“ But there has been far too much worship of mere technique in Music, until at times even the fact that there has been any message at all has been overlooked. In times, happily now gone by, a simple melody which perhaps by itself might have conveyed a homely message, has been smothered under showers of variations, decked out in wearisome arpeggios, and entangled in meaningless scales, until it has reminded one of nothing so much as a vulgar and greatly over-dressed woman: and yet this has been looked upon as music. Technique is indeed necessary, but only as a means to an end. ”

“ Everyone who senses something of the eternal message—which is love—is in his degree a prophet, yea and a saviour too. He may speak or sing, he may perform or compose, he may wait and serve, or he may just pass his message on with a handshake and a smile: he is an interpreter, a medium twixt wisdom and the unwise. Thus we must place the true artist, whatever be the particular bent of his activities, as a prophet in his day and his generation. ”

“ Man, we say, is a gregarious animal, and it is certainly only the man of warped mind who seeks to cut himself off from his fellows: we are all of us spirits, and spirit seeks unity and approach. Love is the one uniting and binding force in the universe, just as its opposite—hatred—is the disintegrating element. Love operates in attraction, as we see it in motherhood, childhood, and the love of man and maid. But it also works on the grand scale in the guise of the law of Gravity which attracts and binds universes together, and regulates and controls the swing of inconceivable immensities. ”

“ Inspiration can uplift, but it may also degrade. We ourselves by the tuning of our own thoughts determine which it shall accomplish. Like can only answer to like: anger can never play echo to love, for their vibrations are so far apart in attunement that the one cannot influence the other. But anger answers to anger, and love to love. It is the eternal response of the love implanted in the spirit of man that ever bids him answer to the love that radiates from the divine. ”

“ We talk of inspired playing, inspired teaching, the gift of song, and so on, and we talk of a reality. The playing that is not inspired is worth but little, it has the worth of a nutshell with the kernel gone amissing. It is sound, perhaps it may even be fine sound, yet it signifies nothing: it is as the painted face aping true beauty. Art without inspiration is our electric light bulb disconnected from the main current. There are prophets in the world to-day, for a prophet in the strict sense of the word is one who speaks forth his message. ”

“ These waves of thought and Inspiration are continually lapping the margin of our subconscious selves, both by day and by night, leaving the dream-traces of their impress as the ripple leaves its marks upon the sand. It is the connection between this under-mind and the consciousness that is so frequently at fault, so that we remain unaware of the tidings. Usually the consciousness is kept so busily engaged that it never has a minute to itself, and so peace, quiet, and receptivity are unknown. ”

“ Musically, to practise scales and exercises with the object of getting one's fingers loose is like eating for the sake of developing a fluent jaw action—the vision of the end has been lost in the means. We must ever keep in view the fact that life itself, and especially Art and Music, can only fulfil a proper purpose when resulting in the ever-increasing and better expression of the underlying spirit, or as Elgar puts it—"more of Truth."
The law of spirit is Love. The drive of spirit is ever upward towards progress, aspiration, and unity. ”

“ Nothing can be accomplished without music of some sort. We must have it in our churches and our chapels, in our moving pictures, in schools, at banquets and dinners, and in the restaurants. Could any bride feel the same satisfaction in walking down the silent aisle of the church, after the most important ceremony in the world, as if the organ were pealing out its good wishes in Mendelssohn's Wedding March? ”

“ Our own answering to love and the appeal of beauty is simply the echo of like to like; the spirit within replies to the call of spirit without. For this reason Music is a universal language, and Art can know no boundaries.
To explore the beauties of Art and Music is to add those beauties, by expression and the power of memory, to the self. Thus we may grow more beautiful, just as surely as by thinking ever in terms of pounds, shillings, and pence, we grow more sordid and mercenary. ”

“ But perhaps most important of all, it determines and selects the Inspiration we are able to receive.
Thoughts of every kind beat upon our minds, as the waves lap the seashore, but we are only able to respond to those that call and awaken some sympathetic answer within us. The heart that is pure can live in an ocean of impurity, and yet remain unsullied: but the character with anger implanted within will find that anger blazing out in echo and answer to a hundred provocations a day. Hatred means nothing, in temptation or response, to a heart overflowing with love. ”

“ The well-being of the body is of the utmost importance: a clogged and constipated body is no medium for inspiration. High living kills the genius of inspiration, and masterpieces are more often produced in the garret than where luxury rules. Success is an even greater test of true genius than is poverty. A bilious attack will put a stop to the most perfervid outpourings of genius, and a common cold in the nose will play havoc with a work of Art. An unstable temperament will have its moments of exaltation and its hours of despair: this is sensitiveness uncontrolled. ”

“ But just as the gramophone will take in all the wonderful complexity of sound waves which are sent out by a whole orchestra of instruments, and will combine these into one wavy line on the record—a kind of compound wave containing "all the elements so mixed"—so also it is with ourselves. All the thought elements are so mixed in us that as we go through life we vibrate to a note that is unique, compounded as it is of all those inner thoughts and emotions that are so exclusively our own. To those who sound the same note, or one that is in harmony, we are akin. ”

“ Perhaps we find ourselves tapping the rhythm with our feet or our fingers, or it may be that we find the very expression on our own face is altering to match that upon the countenance of the dancer. The skilful speaker also can arouse almost any emotion he pleases in the minds of his audience. He may one moment have them laughing, and then the next, as if by magic touch, he may bring them to sober mood or even to sorrow. Music no less surely does the same through the agency of rhythm, melody, and harmonic texture. ”

“ Beauty lies in the heart of all worthy music, so the artist who studies it and lives in its atmosphere gradually builds that beauty into the life and the character: the mere expression henceforth makes it part of him through memory. So, beautiful thoughts are needful food to the mind of the artist, and no amount of cleverness in the simulation of this or that emotion will ever enable the same effect to be produced, as when beauty is reinforced by beauty. Personality counts beyond all calculation. ”

“ The gardener provides the necessary conditions in which the oak, already miraculously pent within the acorn, can unfold and develop. So the musician also provides the necessary conditions in which the spirit of Music can blossom and bear fruit. He need take to himself no vast amount of credit, for he is but a trustee of that which has been lent to him: he neither creates it nor owns it. His music is a gift of spirit, and when by his life's work he has glorified that gift, then henceforth that is his contribution to the universal store of spirit, and his Art belongs to the ages. ”

“ His music and his melodies which were so great a part of him now constitute his real self, besides being for ever inscribed upon the roll of eternal remembrance. So the great musicians still live on, and when we claim that such-and-such an interpreter gives us the spirit of Bach, we may be saying more truly than we realise. There is no limit to the range of thought save the intrinsic nature of the thought itself. All thoughts seek their own, by the law of sympathy: like to like, fine to fine, and gross to gross. ”

“ The artistic temperament is thus, in essence, a phase of evolution somewhat in advance of its day.
Any departure from the normal, even though it be in the forward direction and carrying with it certain privileges, yet entails its disadvantages. The man who breaks out is generally made to pay pretty dearly for his temerity: but, if there were none to advance and thus break out, civilisation itself would stagnate and there could be no progress. The artist, the dreamer, the visionary, the poet, the genius, these all are the advance guard of humanity. ”

“ Are we to try and attract the multitude to music by muddling up or emasculating rhythm, or by eschewing melody and banishing anything that intrigues the ear, and by supplying an harmonic scheme that awakens no brain-recognition and cannot in consequence be understood? Well, the conventional suburbanite may gush over such indeterminate and invertebrate music, saying, "Yes, isn't it just too lovely," but the rough and tumble individuals who make up most of the world will plump for the "tune" every time. ”

“ We find it impossible to conceive that anything which may be termed music is devoid of significance, though there are certainly gradations and degrees of import. It may well be that music, like so many other things in nature, has a three-fold aspect corresponding to our own make-up as body, soul, and spirit. The outer form, the composition and actual structure, represents the "body" of music: that part which is visible even to the unobservant eye and audible to the indiscriminating ear. This is a matter of notes and tones quite apart from any real meaning or value. ”

“ Sound exists in the form of vibration, but if I am deaf I cannot hear it: it has no existence—FOR ME. The problem thus centres itself largely in the mind of the individual rather than in the question whether there is or is not a message and a meaning. Not only music, but the whole world is brimming over with messages and meanings which our dull senses cannot appreciate. The folk who populate this globe are largely dead. They answer to such a limited range of interests and sensations that they cannot in any real sense be said to be "alive." ”

“ Yet even in death there is no stillness, there is but a change in the form of activity. The body is no longer alive as an organised community, but in its individual cells: the activity is the liveliness of decomposition. Thus all the world expresses life, and expresses it in a rhythm in which law and order reign supreme, and in which a sweet and sane regularity is the ordinance. ”

“ Right angles, no doubt, stand for utility in a commercial age, but Nature with her longer purview has little use for them and prefers a more rounded way of progress. Nature inspires, but not in square-cut periods. It is a safe plan to turn to Nature, as to the diagram of God, if we find ourselves in any doubt as to the way.
"Let your air be good, and your composition will be so likewise, and will assuredly delight," says tuneful Father Haydn, and Music's outline in melody limns, as does that of Nature, the beauty of her design. ”

“ So the Art of the future may be expected to ally itself with religion, on the side of spirit, for the battle royal against the forces of an outworn materialism. The end is not by any means yet, but the issue is certain: and we ourselves to-day may play the more valiant part in the moulding of the years to be if we realise to the full, not only what Music is and the part it plays in life, but also the fine possibilities that lie hidden in the future. ”