Drama

Definition and stakes

Portrait of George Jean Nathan George Jean Nathan,  The Critic and the Drama

“ II. DRAMA AS AN ART I IF the best of criticism, in the familiar description of Anatole France, lies in the adventure of a soul among masterpieces, the best of drama may perhaps be described as the adventure of a masterpiece among souls. Drama is fine or impoverished in the degree that it evokes from such souls a fitting and noble reaction.
Drama is, in essence, a democratic art in constant brave conflict with aristocracy of intelligence, soul and emotion. When drama triumphs, a masterpiece like “Hamlet” comes to life.
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Source: Gutenberg

Portrait of Arthur Symons Arthur Symons,  Plays, Acting and Music: A Book Of Theory

“ The greatest plays are melodrama by their skeleton, and poetry by the flesh which clothes that skeleton.
The foundation of drama is that part of the action which can be represented in dumb show. Only the essential parts of action can be represented without words, and you would set the puppets vainly to work on any material but that which is common to humanity. The permanence of a drama might be tested by the continuance and universality of its appeal when played silently in gestures.
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Source: Gutenberg

Winston K. Marks,  The Mind Digger

“ Consider the potential for creating drama, alone! Every word ever read or spoken, every emotion ever conveyed, every gesture of anger, love, jealousy, pain, pleasure—all this raw material glittering brightly, ready to pour out in new conflicts, dramatic situations, sharp pungent dialogue—"
He made me sense his enthusiasm, but I couldn't quite feel it. Would such a tremendous ability necessarily be good?
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Source: Gutenberg

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