Bjørnstjerne Bjørnson

Definition and stakes

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Poems and Songs

“ Not a single poem is, however, merely descriptive of external nature. Björnson's relation to nature is indeed more intimate than that of any other Norwegian writer of his time, but here also he is epic and dramatic rather than subjectively lyrical. He sees and hears through what is external, and his feeling for and with nature is but a profounder looking into the soul of his nation or the inner life of other human beings. For him Norway's scenery is filled with the glory of the nation's past, the promise of its future, or the needs of the present. ”
Source: Gutenberg

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Arne; Early Tales and Sketches

“ He had come to the meeting in company with Lars, but went home alone, although the way was long. It was a cold autumn day, the forest was jagged and bare, the meadow gray-yellow, frost was beginning here and there to remain on the road-side. Disappointment is a terrible companion. Knud felt so small, so desolate, as he walked along; but Lars appeared everywhere before him, towering up to the sky, in the dusk of the evening, like a giant. ”
Source: Gutenberg

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Arne; Early Tales and Sketches

“ The people crowded closely together, those who were farthest back climbing upon tables and benches. Some of the girls were perched up higher than all the rest, and foremost among [22] these—a tall girl with sunny brown hair of a varying tint, with blue eyes deeply set beneath a strong forehead, a large mouth that often smiled, drawing a little to one side as it did so—was Birgit Böen. Nils saw her, as he glanced up at the beam. The music struck up, a deep silence followed, and he began. He dashed forward along the floor, his body inclining to one side, half aslant, keeping time to the fiddle. ”
Source: Gutenberg

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