Bjørnstjerne Bjørnson

Bjørnstjerne Bjørnson

Summary

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Mary

“ She had never beheld such radiant happiness. She felt herself turn scarlet. Alice laughed, which made things worse. But Frans Röy's loquacity came to their assistance. It was excessive to-day even for him. He plunged at once into a description of a gigantic foundry from which he had just come, and drew them along with him. They saw the half-naked men standing with their hooks on the edge of the stream of boiling, bubbling, fiery-red metal; they felt the power of the machinery, and saw the human beings creeping among it like cautious ants in a giant forest. ”
Source: Gutenberg

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Mary

“ Dawes could or would continue to lead it; this she understood. At Krogskogen there was not one neighbour she cared for. In the town, half an hour's journey off, there was not a human being to whom she was bound by any tie of intimacy. She had never given herself time to make such ties. She was at home nowhere. The life which springs from the soil of a place and unites us to everything that grows there was not hers. Wherever she made her appearance, the conversation seemed to stop, in order that another subject, suited to her, might be introduced. ”
Source: Gutenberg

Portrait of Bjørnstjerne Bjørnson Bjørnstjerne Bjørnson,  Mary

“ The conversation changed into talk which became ever more intimate, and lost itself at last in a silence of looks and long-drawn breaths. Alice had gone to her model. They became confused when they discovered that they were alone. They stopped talking and looked away from each other.
[65] After short visits to one and another of the many works of art in the studio, their attention concentrated itself on a faun without arms. It stood laughing at them. They talked about this fragment of antique sculpture merely that there might not be silence.
”
Source: Gutenberg

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