Summary

Portrait of F. Max Müller F. Max Müller Chips from a German Workshop, Volume 3

I had the feeling that, had I been born in England, I would rather be dead than not sit among and speak among them. I thought of my own country, and was thankful that I could thank God for being a German and being myself. But I felt, also, that we are all children on this field in comparison with the English; how much they, with their discipline of mind, body, and heart, can effect even with but moderate genius, and even with talent alone! I drank in every word from the lips of the speakers, even those I disliked.” More than a year was thus spent in England in the very fullness of life.
Source: Gutenberg

Portrait of F. Max Müller F. Max Müller Chips from a German Workshop, Volume 3

And yet it was not all gladness; and it is strange that Carlyle, who has so keen an ear for the silent melancholy of the human heart, should not have heard that tone of sorrow and fateful boding which breaks, like a suppressed sigh, through the free and light music of that Swabian era. The brightest sky of spring is not without its clouds in Germany, and the German heart is never happy without some sadness. Whether we listen to a short ditty, or to the epic ballads of the “Nibelunge,” or to Wolfram's grand poems of the “Parcival” and the “Holy Grail,” it is the same everywhere.
Source: Gutenberg

Portrait of F. Max Müller F. Max Müller Chips from a German Workshop, Volume 3

It is but seldom that we catch a glimpse of those deep springs of human character which cannot rise to the surface even in the most confidential intercourse, which in every-day life are hidden from a man's own sight, but which break forth when he is alone with his God in secret prayer,—aye, in prayers without words. Here lies the charm of Bunsen's life. Not only do we see the man, the father, the husband, the brother, that stands behind the ambassador, but we see behind the man his angel beholding the face of his Father which is in heaven.
Source: Gutenberg

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