William Shakespeare

“ It was necessary, therefore, in order to preserve a belief in the Shakespearean authorship, either that William Shakespeare should be historically known as a man of great mental power, a close student of deep insight into nature and morals—a poet, philosopher, and all the rest—or else that, by a failure of the records, history should be silent altogether as to his individuality, and the lapse of time have made it impossible to recover any details whatever as to his tastes, manners, and habits of life. ”

“ But no master dreamed of drilling them in their own vernacular. Admitting William Shakespeare to have been born a poet, he must also have been born a master of the arbitrary rules of English rhetoric, etymology, syntax, and prosody, as well, to have written that one poem. But, say the Shakespeareans, even if William did not study English at the Stratford Grammar School, or read it in those crowded days when earning his bread by menial employment in stranger London, he had an opportunity to study Lyly, Nash, Greene, Peele, Chettle, and the rest. ”

“ In the latter half of this century, giants in literature grew out, giants who wrote for the people. William Shakespeare wrote even for those who could not read, but who might learn while looking and listening. His comedies and tragedies are at the same time pictures for the people of diverse phases of English life and character, with a thereunto added universality of pourtrayal and breadth in philosophy, which it is hardly too much to say, that no other dramatist has ever equalled. ”

“ This comedy on the frontier-line of farce shows with what giant strides Shakespeare progresses in the technique of his art. It has the blood of the theatre in its veins; we can already discern the experienced actor in the dexterity with which the threads of the intrigue are involved, and woven into an ever more intricate tangle, until the simple solution is arrived at. While Love's Labour's Lost still dragged itself laboriously over the boards, here we have an impetus and a brio in all the dramatic passages which reveal an artist and foretell a master. ”

“ WILLIAM SHAKESPEARE (1564-1616) "The name of Shakespeare is the greatest in all literature. No man ever came near to him in the creative power of the mind; no man ever had such strength and such variety of imagination." (Hallam)
"Shakespeare's mind is the horizon beyond which, at present, we do not see." (Emerson)
"I do not believe that any book or person or event in my life ever made so great an impression on me as the plays of Shakespeare. They appear to be the work of some heavenly genius." (Goethe)
Shakespeare's name has become a signal for enthusiasm. ”

“ Of William Shakespeare, whom, through the mouths of those whom he has inspired to body forth the modifications of his immense mind, we seem to know better than any human writer, it may be truly said that we scarcely know anything. We see him, so far as we do see him, not in himself, but in a reflex image from the objectivity in which he was manifested: he is Falstaff, and Mercutio, and Malvolio, and Jaques, and Portia, and Imogen, and Lear, and Othello; but to us he is scarcely a determined person, a substantial reality of past time, the man Shakespeare. ”

“ Judging by the record in the case of William Shakespeare, history is able to oppose no difficulty 164over which a Malone or DeQuincy or Charles Knight can not easily clamber.
If William Shakespeare was a born genius, a true son of nature, his soul overflowing with a sense of the beauty of life and of love, Land of all around him, we might expect to find his poems brimful of the sweet, downcast eyes of his Anne, of sunny Stratford fields, of Shottery and the lordly oaks of Charlecote—to find him, "Fancy's child," warbling "his native Wood-notes wild," indeed! ”

“ And then there is Shakespeare: never man among men, before or after him, has made so many memorable people; yet amid all the crowding faces on his canvass, we cannot point to one as “the portrait of the painter.” He had leisure to make lives and histories for all these men and women, but not to leave a single personal token to us of himself. The chances seem to be, that this multitudinous man, having so many other things to think of, thought marvellously little of William Shakespeare ”

“ There is a dramatic license even broader than the license accorded to poetry, and we would doubtless find the drama a sad bore if there were not. William Shakespeare, during his managerial career, appears to have understood this as well as any body; nor have the liberties he took with facts and chronology befogged any body, except the 119daily lessening throng of investigators, who believe him to be the original of the masterpieces he cut into play-hooks for his stage. ”

“ So mighty a faculty sets at naught the common limitations of nationality, and in every quarter of the globe to which civilised life has penetrated Shakespeare’s power is recognised. All the world over, language is applied to his creations that ordinarily applies to beings of flesh and blood. Hamlet and Othello, Lear and Macbeth, Falstaff and Shylock, Brutus and Romeo, Ariel and Caliban are studied in almost every civilised tongue as if they were historic personalities, and the chief of the impressive phrases that fall from their lips are rooted in the speech of civilised humanity. ”

“ From the hideous vileness of the social condition of London in the time of James the First, Shakespeare must indeed have rejoiced to depart into this blooming garden of rustic tranquillity. Here also he could find the surroundings that were needful to sustain him amid the vast and overwhelming labours of his final period. No man, however great his powers, can ever, in this world, escape from the trammels under which nature enjoins and permits the exercise of the brain. Ease, in the intellectual life, is always visionary. ”

“ The well-attested fact that William Shakespeare was a play-writer is not ignored by this supposition; for the new theorists believe that, although no fragment of the Shakespeare work now survives, its character can be readily determined. From what knowledge we possess of the tone and quality of the audiences of those days, it is not difficult to imagine the rudeness and crudity of the plays. ”

“ Shakespeare's elevation of mind, however, is most clearly apparent in the playful irony with which he treats his own art, the art of acting, and the theatre of the day, with its scanty and imperfect appliances for the production of illusion. The artisan who plays Wall, his fellow who enacts Moonshine, and the excellent amateur who represents the Lion are deliciously whimsical types.
It was at all times a favourite device with Shakespeare, as with his imitators, the German romanticists of two centuries later, to introduce a play within a play. The device is not of his own invention. ”

“ Let no man fear to tread the dark pathway that Shakespeare has trodden before him. Let no man, standing at this grave, and seeing and feeling that all the vast labours of that celestial genius end here at last in a handful of dust, fret and grieve any more over the puny and evanescent toils of to-day, so soon to be buried in oblivion! In the simple performance of duty and in the life of the affections there may be permanence and solace. ”

“ The English drama as it took shape under Shakespeare's hand addressed itself primarily to the best elements in the public. But "the best" were the noble young patrons of the theatre, to whom he personally owed a great deal of his culture, almost all his repute, and, moreover, the insight he had attained into the aristocratic habit of mind.
A young English nobleman of that period must have been one of the finest products of humanity, a combination of the Belvedere Apollo with a prize racehorse; he must have felt himself at once a man of action and an artist. ”

“ For models, Shakespeare did not need to go back farther than his own Romeo and Juliet and Richard II, nor to imitate any other than himself. Yet his great plays may have seemed to his contemporaries to adopt rather than to depart from current dramatic practices. They belong to the Elizabethan 'tragedy of blood'; against a background of courts and battles they present the downfall of princes; they rest on improbable stories that end in fearful slaughter; they invariably set forth great crimes, compact of murder, lust, villainous intrigue, and ferocious cruelty. ”

“ Shakespeare was a hazel-eyed man, with auburn hair, and the colours that he wore were scarlet and black. Being painted, and also being set up at a considerable height on the church wall, the bust does not disclose what is sufficiently perceptible in a cast from it—that it is the copy of a mask from the dead face. One of the cheeks is a little swollen and the tongue, slightly protruded, is caught between the lips. The idle theory that the poet was not a gentleman of consideration in his own time and place falls utterly and for ever from the mind when you stand at his grave. ”

“ There remained to him as a poet of genius one resource. He could gratify his own burning desire for a pure and unselfish love by living in his mighty imagination the lives of his characters. "He who in his yearning for the highest joys of love had been compelled to abandon hope, found a joy mingled with pain, in giving of his life to lovers in whom the longing of William Shakespeare lives for all time.
"He has loved and been loved. It was he whom Sylvia, Hermia, Titania, Portia, Juliet, Beatrice, Rosalind, Viola, and Olivia loved,—and Ophelia, Desdemona, Hermione and Miranda." ”

“ Yet must I not give Nature all! Thy art,
My gentle Shakespeare, must enjoy a part.
For though the Poet’s matter Nature be
His art doth give the fashion. And that he
Who casts to write a living line, must sweat
(Such as thine are) , and strike the second heat
Upon the Muses’ anvil, turn the same
(And himself with it) , that he thinks to frame;
Or for the laurel he may gain a scorn!
For a good Poet’s made as well as born;
And such wert thou! Look how the father’s face
Lives in his issue; even so, the race
Of Shakespeare’s mind and manners brightly shines
In his well-turnèd and true-filèd lines; ”

“ With an inconsistency that is more apparent than real, the astute business transactions of these years (1597-1611) synchronise with the production of Shakespeare’s noblest literary work—of his most sustained and serious efforts in comedy, tragedy, and romance. In 1599, after abandoning English history with ‘Henry V,’ he addressed himself to the composition of his three most perfect essays in comedy—‘Much Ado about Nothing,’ ‘As You Like It,’ and ‘Twelfth Night.’ Their good-humoured tone seems to reveal their author in his happiest frame of mind ”

“ But the tradition is of no value except as additional testimony to the impression of his boon companions, associates, and contemporaries, that William Shakespeare was a jolly dog who loved his frolic, his pot of ale, and his wench—was almost any thing, in short, except the student of history, antiquity, and classic manners, no less than the scholar of his own times, that he has been created since by those who knew him not. Nothing travels faster in rural communities, as we 075have remarked, than a reputation for "book-learning;" ”

“ But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth—the action of whose roles are intellectual rather than scenic—for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity—to put it mildly—which arrests our credulity at once.
The utmost that the Shakespeareans propose to do—the utmost they attempt—is to make out William Shakespeare to have been an Elizabethan Dramatist. ”

“ Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life. ”

“ Rut, if, to conceal their real authors, these magnificent productions were simply sent out under a name that was at every body's disposal, the discovery is of exceeding interest. From the lofty masterpiece of the "Hamlet" to what M. Taine calls "a debauch of imagination... which no fair and frail dame in London should be without" *—the "Venus and Adonis"—it was immaterial what they printed as his, so this William Shakespeare earned his fee for his silence. ”

“ Shakespeare defied at every stage in his career the laws of the classical drama. He rode roughshod over the unities of time, place, and action. There were critics in his day who zealously championed the ancient rules, and viewed with distrust any infringement of them. But the force of Shakespeare’s genius—its revelation of new methods of dramatic art—was not lost on the lovers of the ancient ways ”

“ In Shakespeare's day there was also, of course, some movement toward fixity of ideas, and there were great men who strove to convert others to their ideas and to dictate belief and conduct. But there was a breathing spell in which, comparatively speaking, men were not alike, but individual, and in which their motives and ideas revelled in a freedom from ancient precedent. In this era of flux the modern drama found its panorama of novel and varied experience making and marring character. ”