Appleton Morgan

“ It is rather sarcasm at the expense of those who rejected the theory of a non-Shakespearean authorship than a formulation of the theory itself. That the sarcasm, as a sustained effort, has rarely if ever been equaled, there certainly can be no question. Her indignation at the idea that the magnificent plays sprang from the brain of "the Stratford poacher—now that the deer-stealing fire has gone out of him; now that this youthful impulse has been taught its conventional mental limits, sobered into the mild, sagacious, witty Mr. Shakespeare of the Globe," is intense. ”

“ It is necessary to the Shakespearean theory that in the days of Elizabeth and James there should have been not only a man, but a genius, a wit, and a poet, of the name of William Shakespeare; and that all these—man, genius, wit, and poet—should have been one and the same individual. Taking all the Jonsonian testimony, prose and poetry, together, such an individual there was, and his name was William Shakespeare, as required. ”

“ Was all this money made by writing plays for the Globe, or by working on Bacon's Novum Organum, or by other literary labor? Was that the hard work William Shakespeare found to do, and laid up money at, in the interval between his last crop of wild oats at Stratford, and the condescension of the man of affairs in London? If it were, it is curious that no rumor or tradition of it comes from Stratford. Nothing travels quite so fast in rural neighborhoods as a reputation for "book learning," while the local worthy, who has actually written a book of his own, is a landmark in his vicinage. ”

“ But is there not a refuge from all these more or less conflicting theories in the simple canon that human experience is a safer guide than conjecture or miracle? In our own day, the astute manager draws from bushels of manuscript plays, submitted to him by ambitious amateurs or plodding playwrights, the few morsels he deems worthy of his stage, and, restringing them on a thread of his own, or another's, presents the result to his audiences. Can we imagine a reason why the same process should have been improbable in the days of Elizabeth and James? ”

“ If William Shakespeare wrote the plays, it was a miracle; every thing else being equal, the presumption is against a miracle; but, here, every thing else is not equal, for all the facts of history are reconcilable with history and irreconcilable with the miracle; if history is history, then miracle there was none—in other words, if there were one miracle, then there must have been two. ”

“ We, therefore, actually have four well-known gentlemen of the day in London, gentlemen of elegant tastes—poets, men about town, critics—who, if the town were being convulsed by the production at a theater of by far the most brilliant miracles of genius that the world had ever seen, ought not, in the nature of things, to have been utterly uninformed as to the circumstance. We do not add to this list Southampton, Essex, Rutland, Montgomery, and the rest, because these latter have left no memorandum or chronicle of what they saw and heard on manuscript behind them. ”

“ And so, formidable as it was in age, the presumption as to William Shakespeare's authorship of the great dramas which for three hundred years had gone by his name, had only to be touched by the thumb and finger of common sense to crackle and shrivel like the egg that sat on the wall in the Kindergarten rhyme, which all the king's army and all the king's men could not set up again, once it had tumbled over. ”

“ If William Shakespeare were an unknown quantity, like Homer, to be estimated only by certain masterly works assigned to him, this answer might, indeed, be different. For, just as Homer's writings are so magnificent as to justify ascribing to him—so far as mere power to produce them goes—any other contemporary literature to be discovered, so the works attributed to William Shakespeare are splendid enough to safely credit him with the compositions of any body else; of even so great a man as Bacon, for example. ”

“ My gentle Shakespeare must enjoy a part."
Only one single scrap of mortuary effusion on which to hang the fame of centuries! And if we exclude the circumstantial evidence and the expert testimony as false, and admit the one little rhyme as true, then our reason, judgment, and inner consciousness must accept as the author of the learned, laborious, accurate, eloquent, and majestic Sheakespearean pages, a wag—a funny fellow whose "wit (to quote Jonson again) was in his own power," but not "the rule of it," so much so, "that sometimes it was necessary he should be stopped." ”

“ It can not be too clearly borne in mind that Shakespeare, in a space of ten or twelve years, actually made what is a fair fortune to-day. That Bacon and Raleigh, whose ambitions did not lead them to seek renown as playwrights, should have contributed their share to the plays—the first for gold which he needed, and the second for pastime which he craved—is not remarkable; we can see hundreds of young lawyers scribbling for gold while waiting for practice, or young "swells" trying their hand at comedies for the sport of the thing, by opening our eyes to-day. ”

“ On the grave of Susanna, it is Shakespere; and on the other graves of the family, Shakespeare, except that under the bust it is Shakspeare. That is to say, just as many orthographies as there are tombstones and inscriptions. Any lawyer's clerk who has had occasion to search for evidence among the uneducated classes, knows how certainly a lower or higher grade of intelligence will manifest itself primarily in an ignorance of or indifference to one's own name or a corresponding zeal for one's own identity, and anxiety that it shall be accurately "taken down." ”

“ That the rustic youth, whom local traditions variously represent as a scapegrace, a poacher, a butcher's apprentice, and the like, but never as a school-boy, a student, a reader, a poet—as ever having been seen with a hook in his hand—driven by poverty to shift for himself, should at once (for the dates, as variously given by Mr. Malone and Mr. Grant White, are exceedingly suggestive) become the alter ego of that most lax, opulent, courtly, and noble young gentleman about town, Southampton, is almost incredible. ”

“ It was necessary, therefore, in order to preserve a belief in the Shakespearean authorship, either that William Shakespeare should be historically known as a man of great mental power, a close student of deep insight into nature and morals—a poet, philosopher, and all the rest—or else that, by a failure of the records, history should be silent altogether as to his individuality, and the lapse of time have made it impossible to recover any details whatever as to his tastes, manners, and habits of life. ”

“ Neither does Shakespeare (as we have already said) , anywhere appear to have ever claimed to be a poet, or even to have taken to himself—what we may, however, venture to ascribe to him—the merit of the stage-setting of the dramatic works, which, having been played at his theater, we collectively call the "Shakespearean plays" to-day. Why, then, to begin with, should we not conceive of Mr. Manager Shakespeare discharging the same duties as Mr. Wal-lack, Mr. Daly, or Mr. Boucicault? as very much—from the necessities of his vocation—the same sort of man as either of them? ”

“ But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth—the action of whose roles are intellectual rather than scenic—for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity—to put it mildly—which arrests our credulity at once.
The utmost that the Shakespeareans propose to do—the utmost they attempt—is to make out William Shakespeare to have been an Elizabethan Dramatist. ”

“ The work of Shakespeare-making goes on. The facts are of record. We may ran as we read them! But rather let us, out of reverence for the errors of our fathers, refuse to read at all, and accept the ideal of Malone, of Halliwell and De Quincy, of Grant White, and of ten thousand more, who prefer to write their biographies of William Shakespeare, not in the first person, like Baron Munchhausen, nor in the second person, like the memoirs of Sully, but in the probable and supposititious person of "it is possible he did this," and "it is likely he did that." ”

“ Pye made poet-laureate of the laud where an unknown pen had once written "Hamlet were, consequently, not the days for the discovery with which this century has crowned itself—namely, the discovery that the great first of poets lived in the age when England and America were one world by themselves, and that they must now draw together again to search for the master "who came"—to use, with all reverence, the words of Judge Holmes—"upon our earth, knowing all past, all present, and all future, to be leader, guide, and second gospel of mankind." ”

“ The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama—just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original. Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks. "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens. ”

“ What a library it was—that library up among the flies (if they had such things) of the old Globe Theater! What an Elihu Burritt its owner must have been, to have snatched from his overworked life—from the interval between the night's performance and the 213morning's routine—the hours to labor over Galen and Paracelsus and Plato in the original Greek! It was miracle enough that the learned blacksmith at his forge, in the nineteenth century—surrounded with libraries, and when books could be had for the purchasing—could have mastered all the known languages. ”

“ And so, if, in the case of the Shakespearean authorship, the day has come for truth to dispel fiction, and reason to scout organic miracle, why should we decline to look into an alleged Shakespearean myth simply because it happens to be a little tardy in coming to the surface? ”

“ The popular William Shakespeare, built to fit the plays, is a masterless philosopher, a matchless poet, a student of Greek manuscripts and classic manners, of southern romance and northern sagas, a traveler and a citizen of the world, a scientist, a moralist, a master of statecraft, and skilled in all the graces and amenities of courtly society! ”

“ But no master dreamed of drilling them in their own vernacular. Admitting William Shakespeare to have been born a poet, he must also have been born a master of the arbitrary rules of English rhetoric, etymology, syntax, and prosody, as well, to have written that one poem. But, say the Shakespeareans, even if William did not study English at the Stratford Grammar School, or read it in those crowded days when earning his bread by menial employment in stranger London, he had an opportunity to study Lyly, Nash, Greene, Peele, Chettle, and the rest. ”

“ The run of comedies at other theaters were harmless enough (an adultery for a plot, and an unsuspecting husband for a butt. This was a comedy; plus a little blood, it was a tragedy) . Let the people have their fill of amusement, but it is better not to meddle with philosophy and politics. So there are things more unlikely to have happened than that Elizabeth, through her Lord Chamberlain, should have intimated to manager Shakespeare to give them something more in the run and appetite of the day. ”

“ Perhaps he killed time by writing speeches for the obsequious manager to put into plays for his stage. Anonymous or pseudonymic authorship has ever been a penchant of the gentle and idle. Shakespeare, let us say, was a shrewd man of business, who kept up with his times, as do managers of theaters to-day; he was quick to perceive where a point might be made in his plays, and moreover he employed—or perhaps was fortunate enough to secure by way of friendship—a poet to turn his ideas into speech for the mouths of his players. ”

“ A presumption three hundred years old may be a strong one to overthrow. But if its age is all there is of it—if it be only strong in years—it can yet be toppled over. Once overthrown, it is no more venerable because it is three hundred years old than if it were only three. An egg-shell will toss upon the crest of an angry surf, and, for very frailty, outride breakers when the mightiest ship man ever framed could not survive an instant. ”

“ As no English translation has been made of the Orlando Innamorato, I must ask the reader who can not command the original to be content with this rendering of the above stanza: "The man who steals a horn, a horse, a ring, Or such a trifle, thieves with moderation, And may be justly called a robberling; But he who takes away a reputation And pranks in feathers from another's wing His deed is robbery—assassination, And merits punishment so much the greater As he to right and truth is more a traitor." Shakespeare, by R. G. White, vol. ”