Othello

Definition and stakes

Portrait of Ouida Ouida,  Wisdom, Wit, and Pathos of Ouida

“ It is shackled with all the forms of earth, and—worse still—with all its shams and commonplaces. When we read Othello, we only behold the tempest of the passions and the wreck of a great soul; but when we see Othello, we are affronted by the colour of the Moor's skin, and are brought face to face with the vulgarities of the bolster! ”
Source: Gutenberg

Portrait of Alfred Austin Alfred Austin,  The Bridling of Pegasus: Prose Papers on Poetry

“ Othello is not represented merely as a man who is consumed and maddened by jealousy, but as a citizen and a soldier, encompassed by friends and enemies, and brought into contact, not with Desdemona and Iago alone, but with the Duke of Venice, with valiant Cassio, with witty Montano, with Brabantio, with Gratiano, in a word with people and things in general. ”
Source: Gutenberg

Portrait of François Guizot François Guizot,  Shakspeare and His Times

“ In Othello there are two individualities: in the first place, there is the savage, who has for a long time remained alone; who has for a long time lived the life of a brute, and who abandons himself, without even the smallest indication of an internal struggle, to the first effervescence of passion which crosses his soul; a man who is yet furnished with that interior goodness, that native generosity which the instinct of our poetic fictions has been pleased to attribute to the lion, the monarch of the deserts. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature