F. Max Müller

Biographical details

Portrait of F. Max Müller F. Max Müller,  Memories: A Story of German Love

“ I saw the hunters with their rifles crossing the mountains, and the old and young gathering together at twilight in the village; and, to crown all, I saw her passing along like an angel of peace in benediction, and I was her guide and friend. "Poor fool!" I cried out, "poor fool! Is thy heart always to be so wild and so weak? Be a man. Think who thou art, and how far thou art from her. She is a friend. She gladly reflects herself in another's soul, but her childlike trust and candor at best only show that no deeper feeling lives in her breast for thee. ”
Source: Gutenberg

Portrait of F. Max Müller F. Max Müller,  Chips from a German Workshop, Volume 4

“ If Christianity is to retain its hold on Europe and America, if it is to conquer in the Holy War of the future, it must throw off its heavy armor, the helmet of brass and the coat of mail, and face the world like David, with his staff, his stones, and his sling. We want less of creeds, but more of trust; less of ceremony, but more of work; less of solemnity, but more of genial honesty; less of doctrine, but more of love. There is a faith, as small as a grain of mustard-seed, but that grain alone can move mountains, and more than that, it can move hearts. ”
Source: Gutenberg

Portrait of F. Max Müller F. Max Müller,  Chips from a German Workshop, Volume 3

“ Why should poetry be less free than painting to seek for what is beautiful wherever a human eye can discover, wherever human art can imitate it? No one blames the painter if, instead of giddy peaks or towering waves, he delineates on his canvas a quiet narrow valley, filled with a green mist, and enlivened only by a gray mill and a dark brown mill-wheel, from which the spray rises like silver dust, and then floats away, and vanishes in the rays of the sun. Is what is not too common for the painter, too common for the poet? ”
Source: Gutenberg

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