Charles Dudley Warner

Charles Dudley Warner

Summary

Portrait of Charles Dudley Warner Charles Dudley Warner As We Were Saying

What satisfaction has a man in it if he really gets to the end of his power to improve it? There have been such nearly ideal places, and how strong nature, always working against man and in the interest of untamed wildness, likes to riot in them and reduce them to picturesque destruction! And what sweet sadness, pathos, romantic suggestion, the human mind finds in such a ruin! And a society that has attained its end in all possible culture, entire refinement in manners, in tastes, in the art of elegant intellectual and luxurious living—is there nothing pathetic in that?
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner As We Were Saying

Cultivation has its limits. After we have produced it, we find that the biggest rose even is not the most precious; and lovely as woman is, we instinctively in our admiration put a limit to her size. There being, then, certain laws that ultimately fetch us all up standing, so to speak, it does seem probable that the chrysanthemum rage will end in a gorgeous sunset of its splendor; that fashion will tire of it, and that the rose, with its secret heart of love; the rose, with its exquisite form; the rose, with its capacity of shyly and reluctantly unfolding its beauty
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner As We Were Saying

Private talk at a dinner-table is like private chat at a parlor musicale, only it is more fatal to the general enjoyment. There is a notion that the art of conversation, the ability to talk well, has gone out. That is a great mistake. Opportunity is all that is needed. There must be the inspiration of the clash of minds and the encouragement of good listening. In an evening round the fire, when couples begin, to whisper or talk low to each other, it is time to put out the lights. Inspiring interest is gone. The most brilliant talker in the world is dumb.
Source: Gutenberg

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