Hamilton Wright Mabie

“ Shakespeare's presentation of the facts of life is, on the whole, the most comprehensive and impressive which has yet been made; in the disclosure of tragic elements it is unsurpassed; and yet what a host of ideal figures move through the plays and invest them with a light beyond the glow of art! In the Forest of Arden and on Prospero's Island there live, beyond the touch of time and the vicissitudes of fate, those gracious and beautiful spirits in whom the race sees its noblest hopes come true, its instinctive faith in itself justified. ”

“ In the tragedy the student of literature is brought into the most intimate relation with his race in those moments when its deepest experiences are laid bare; he enters into its life when that life is passing through its most momentous passages; he is present in those hidden places where it confesses its highest hopes, reveals its most terrible passions, suffers its most appalling punishments, and passes on, through anguish and sacrifice, to its new day of thought and achievement. ”

“ And culture is, at bottom, only an enlarged and clarified experience,—an experience so comprehensive that it puts its possessor in touch with all times and men, and gives him the opportunity of comparing his own knowledge of things, his faith and his practice, with the knowledge, faith, and practice of all the generations. This opportunity brings, to one who knows how to use it, deliverance from the ignorance or half-knowledge of provincialism, from the crudity of its half-trained tastes, and from the blind passion of its rash and groundless faith in its own infallibility. ”

“ Homer may have been blind; but if he composed the epics which bear his name he must have known moments of purer happiness than his most fortunate contemporary; Dante missed the lesser comforts of life, but there were hours of transcendent joy in his lonely career. For the highest joy of which men taste is the full, free, and noble putting forth of the power that is in them; no moments in human experience are so thrilling as those in which a man's soul goes out from him into some adequate and beautiful form of expression. ”

“ It is a finality both of experience and of thought; it contains the ultimate and the widest conception of man's nature and life, or of the meaning and reality of Nature, which an age or a race reaches. It is the supreme flowering of the genius of a race or an age. It has, therefore, the highest educational value. For the very highest products of man's life in this world are his ideas and ideals; they grow out of his highest nature; they react on his character; they are the precious deposit of all that he has thought, felt, suffered, and done in word and work, in feeling and action. ”

“ The first discovery which the real reader makes is the perception of some new and individual beauty or power; the discovery of life and truth is secondary in order of time, and depends in no small measure on the sensitiveness of the spirit to the first and obvious charm. If one wishes to study the life—not the mere structure—of an apple-tree in bloom, he must surrender himself at the start to the bloom and fragrance; for these are not mere external phases of the growth of the tree,—they are most delicate and characteristic disclosures of its life. ”

“ Those who have abundance of leisure to spend in their libraries are beyond the need of suggestions as to the use of time and place; but those whose culture must be secured incidentally, as it were, need not despair,—they have shining examples of successful use of limited opportunities about them. It is not only possible to make all time enrich us, but to use all space as if it were our own. To have a book in one's pocket and the power of fastening one's mind upon it to the exclusion of every other object or interest is to be independent of the library, with its unbroken quietness. ”

“ They shared in the possession of this faculty of making all they saw and knew a part of themselves. Between culture of this quality and the creative power there is something more than complete unity; there is almost identity, for they seem to be two forms of activity of the same power rather than distinct faculties. Culture enables us to receive the world into ourselves, not in the reflection of a magic mirror, but in the depths of a living soul; to receive that world in such a way that we possess it; it ceases to be outside us and becomes part of our very nature. ”

“ The lyric poet may sing, if it pleases him, like a bird in the recesses of a garden, far from the noise and dust of the highway and the clamour of men in the competitions of trade and work; but the epic or dramatic poet must find his theme and his inspiration in the stir and movement of men in social relations. He deals, not with the subjective, but with the objective man; with the man whose dreams are no longer visions of the imagination, but are becoming incorporate in some external order; whose passions are no longer seething within him, but are working themselves out in vital consequences ”

“ The ideas which underlie the great books bring with them, therefore, when we really receive them into our minds, the entire background of the life out of which they took their rise. We are not only permitted to refresh ourselves at the inexhaustible spring, but, as we drink, the entire sweep of landscape, to the remotest mountains in whose heart its sources are hidden, encompasses us like a vast living world. It is, in other words, the totality of things which great art gives us,—not things in isolation and detachment. ”

“ Indeed, as the race grows older and masters more and more a knowledge of its conditions, the impression of the essential greatness of the experience we call life deepens in the finer spirits. It becomes clear that the end towards which the hopes of the world have always moved is farther off than it seemed to the earlier generations; that the process of spiritual and social evolution is longer and more painful; that the universe is vaster and more wonderful than the vision of it which formed in the imagination of thinkers and poets ”

“ There is a fallacy at the bottom of the admiration we feel when a rich nature throws restraint of any kind to the winds and gives itself up wholly to some impulse or passion,—the fallacy of supposing that by a violent break with existing conditions freedom can be secured; for the world loves freedom, even when it is too slothful or too cowardly to pay the price which it exacts. That admiration arises, however, from a sound instinct,—the instinct which makes us love both power and self-sacrifice, even when the first is ill-directed and the second wasted. ”

“ The most despairing pessimism would be born in the heart of the man who should be fated to see to-day apart from yesterday and to-morrow; a rational and inspiring hope may be born in the soul of the man who sees the day as part of the year and the year as part of the century. The great writers are a refuge from the point of view of the moment, because they set the events of life in a fundamental order, and make us aware of the finer potentialities of our race. They are Idealists in the breadth of their vision and the nobility of the interpretation of events which they offer us. ”

“ It is this deeper knowledge which holds a lighted torch aloft in the deepest recesses of the soul, or over those abysses of possible experience which open on all sides about every man, which is to be found in the pages of Homer, Dante, Shakespeare, and Goethe, and of all those great artists who have seen men in those decisive and significant moments when they strike into the movement of history, or, through their deeds and sufferings, the order of life suddenly shines forth. ”

“ When a man ceases to care deeply for things, he ceases to represent or interpret them with insight and power. The preservation of feeling is, therefore, essential in all artistic work; and when it is lost, the artist becomes an echo or an imitation of his nobler self and work. It is the beautiful quality of the true art instinct that it constantly sees and feels the familiar world with a kind of childlike directness and delight. That which has become commonplace to most men is as full of charm and novelty to the artist as if it had just been created. ”

“ The artist never has to search for material; it is always at hand. That it is old, trite, stale to others, is of no consequence; it is always fresh and significant to him.
This freshness of feeling is not in any way dependent on the character of the materials upon which it plays; it is not an irresponsible temperamental quality which seeks the joyful or comic facts of life and ignores its sad and tragic aspects. The zest of spirit which one finds in Shakespeare, for instance, is not a blind optimism thoughtlessly escaping from the shadows into the sunshine. ”

“ The latest of them, Count Tolstoi's "Master and Man," is one of those masterpieces which take rank at once, not by reason of their magnitude, but by reason of a certain beautiful quality which comes only to the man whose heart is pressed against the heart of his theme, and who divines what life is in the inarticulate soul of his brother man. Such books are the rich material of culture to the man who reads them with his heart, because they add to his experience a kind of experience otherwise inaccessible to him, which quickens, refreshes, and broadens his own nature. ”

“ This delight, born afresh of every new contact of the mind with a real book, furnishes indubitable evidence that the reader has the feeling for literature,—a possession much rarer than is commonly supposed. It is no injustice to say that the majority of those who read have no feeling for literature; their interest is awakened or sustained not by the literary quality of a book, but by some element of brightness or novelty, or by the charm of narrative. Reading which finds its reward in these things is entirely legitimate, but it is not the kind of reading which secures culture. ”

“ The primary charm of art resides in the freshness of feeling which it reveals and conveys. An art which discloses fatigue, weariness, exhaustion of emotion, deadening of interest, has parted with its magical spell; for vitality, emotion, passionate interest in the experiences of life, devout acceptance of the facts of life, are the prime characteristics of art in those moments when its veracity and power are at the highest point. ”

“ The keen lance of Matthew Arnold, flashing now in one part of the field and now in another, pierced many of the fallacies of provincialism and philistinism, and mortally wounded more than one Goliath of ignorance and conceit; but the work must be done anew in every generation and in every individual. All men are conceived in the sin of ignorance and born in the iniquity of half-knowledge; and every man needs to be saved by wider knowledge and clearer vision. It is a matter of comparative indifference where one is born; it is a matter of supreme importance how one educates one's self. ”

“ This bit of description moves with so light a foot that one forgets, as true art always makes one forget, the mass of hard and scattered materials which lie back of it, materials which would not have yielded their secret of unity and vitality save to imagination and sympathy; to knowledge which has ripened into culture. But the recovery of such a story, the reconstruction of such a figure, are not affected by description alone; one must penetrate to the heart of the myth, and master the significance of the woman transformed by idealisation into a beneficent and much labouring goddess. ”

“ Feeding one's nature at all the sources of life, browsing at will on all the uplands of knowledge and thought, do not bear the fruit of acquirement only; they put us into personal possession of the vitality, the truth, and the beauty about us. A man may know the plays of Shakespeare accurately as regards their order, form, construction, and language, and yet remain almost without knowledge of what Shakespeare was at heart, and of his significance in the history of the human soul. It is this deeper knowledge, however, which is essential for culture ”

“ To know the typical books of the race is to be in touch with those elements of thought and experience which are shared by men of all countries. Without a knowledge of these books a man never really gets at the life of localities which are foreign to him; never really sees those historic places about which the traditions of civilisation have gathered. Travel is robbed of half its educational value unless one carries with him a knowledge of that which he looks at for the first time with his own eyes. No American sees England unless he carries England in his memory and imagination. ”

“ Every man is rooted to the soil, touches through his senses the physical, and through his mind and heart the spiritual, order of his time; all these influences are focussed in him, and according to his capacity he gathers them into his experience, formulates and expresses them. The greater and more productive the man, the wider his contact with and absorption of the life of his time. For the artist stands nearest, not farthest from his contemporaries. He is not, however, a mere medium in their hands, not a mere secretary or recorder of their ideas and feelings. ”

“ The reality of the Ideal as Plato saw it is by no means universally accepted as a philosophical conclusion, but all high-minded men and women accept it as a rule of life. Idealism is wrought into the very fibre of the race, and is as indestructible as the imagination in which it has its roots. Deep in the heart of humanity lies the unshakable faith in its essential divinity, and in the reality of its highest hopes of development and attainment. ”

“ The history of man is the story of the ideas he has entertained and accepted, and of his struggle to incorporate these ideas into laws, customs, institutions, and character. At the heart of every race one finds certain ideas, not always clearly seen nor often definitely formulated save by a few persons, but unconsciously held with deathless tenacity and illustrated by a vast range of action and achievement; at the heart of every great civilisation one finds a few dominant and vital conceptions which give a certain coherence and unity to a vast movement of life. ”

“ A long experience gives a man poise, balance, and steadiness; he has seen many things come and go, and he is neither paralysed by depression when society goes wrong, nor irrationally elated when it goes right. He is perfectly aware that his party is only a means to an end, and not a piece of indestructible and infallible machinery; that the creed he accepts has passed through many changes of interpretation, and will pass through more; that the social order for which he contends, if secured, will be only another stage in the unbroken development of the organised life of men in the world. ”