Georg Wilhelm Friedrich Hegel

“ The Egyptian Isis, as we find her thus situated on bas-reliefs, has nothing maternal about her, no tenderness, no trait of soul or emotion, such as is not even wholly absent in the stiffer Byzantine pictures of the Madonna. And if we think of Raphael, or any other great Italian master, what results have they not achieved from this subject of the Mother and Christ-babe! What depth of emotion, what spiritual life, what intimacy and wealth of heart, what exaltation and endearment, how human and yet how entirely filled with divine spirit is the soul which speaks to us from every line and feature. ”

“ And yet his poetry is without any specific theme, any objective picture, any god, or mythology; or, rather, when we peruse these light-hearted ebullitions, one feels as though it would be impossible for the Oriental to possess any such definite picture and constructive art. He passes easily from one object to another; he takes his walks abroad, but it is a scene in which the entire man, with his wine, his damsels, his court-life, and all the rest of it, is placed before us with delightful unreserve, without passion or self-seeking in the simplicity of his enjoyment eye to eye and soul to soul. ”

“ Here, we may say, we are at home, and like the mariner after a long voyage in a tempestuous sea, we may now hail the sight of land; with Descartes the culture of modern times, the thought of modern Philosophy, really begins to appear, after a long and tedious journey on the way which has led so far. It is specially characteristic of the German that the more servile he on the one hand is, the more uncontrolled is he on the other; restraint and want of restraint—originality, is the angel of darkness that buffets us. ”

“ Just so the human eye, a man's face, flesh, skin, his whole figure, are a revelation of mind and soul, and in this case the meaning is always something other than what shows itself within the immediate appearance. This is the way in which a work of art should have its meaning, and not appear as exhausted in these mere particular lines, curves, surfaces, borings, reliefs in the stone, in these colours, tones, sounds, of words, or whatever other medium is employed; but it should reveal life, feeling, soul, import and mind, which is just what we mean by the significance of a work of art. ”

“ This romantic type of art finds a home, then, in two hemispheres, in the Western world as this penetration into the more intimate shrine of Spirit, in the Eastern this its first expansion of the self-absorbed consciousness as it frees itself from the finite environment. In the West poetry reposes on a soul which is withdrawn upon its resources, which has become the centre of its activity, yet possesses this flavour of secularly merely as one part of its complexion, as one aspect, over which is superposed a yet loftier world of belief. ”

“ Whoever fondly imagines that he is in the right mood to compose a poem, or paint a picture, or run off a first-rate melody without already possessing the stuff in him to quicken that spark into vital form, and has first to hunt about for something to say, despite all his talent, will find himself no better off for his best intuitions, quite unable, at any rate, to conceive any complete thing of beauty, or perfect a really sterling work of art. Neither the mere tickling of our senses nor any act of will or determination can father on us true inspiration. ”

“ The spirit of man has broken with the old order of things hitherto prevailing, and with the old ways of thinking, and is in the mind to let them all sink into the depths of the past and to set about its own transformation. It is indeed never at rest, but carried along the stream of progress ever onward. But it is here as in the case of the birth of a child; after a long period of nutrition in silence, the continuity of the gradual growth in size, of quantitative change, is suddenly cut short by the first breath drawn—there is a break in the process, a qualitative change—and the child is born. ”

“ Religion thus expanded descends from its abstract or “intelligible” world, to which it had retired from art and science, and the affairs of ordinary life. Its God—as a true God—is not of the dead alone, but also of the living: not a far-off supreme and ultimate Being, but also a man among men. Philosophy thus has to break down the middle partition-wall of life, the fence between secular and sacred. It is but religion come to its maturity, made at home in the world, and no longer a stranger and a wonder. ”

“ Thought and thought alone has eyes for the essence, substance, universal power, and ultimate design of the world. And what men call the proofs of God's existence are, rightly understood, ways of describing and analysing the native course of the mind, the course of thought thinking the data of the senses. The rise of thought beyond the world of sense, its passage from the finite to the infinite, the leap into the super-sensible which it takes when it snaps asunder the chain of sense, all this transition is thought and nothing but thought. ”

“ We dwell with pleasure, no doubt, on the drawing, and exceptionally so on the study or sketch, as on that which pre-eminently betrays the quality of genius; but however rich with invention and imagination, with whatever directness the soul of an artist may assert itself in such studies by reason of the more transparent and mobile shell of their form, yet the fact remains to be painting we must have colour, if the work is not to continue abstract from the point of view of its sensuous material in the vital individuality and articulation of its objects. ”

“ We have presented us, as the result of such a gallery, the world-history itself, and what is more, we have it in its beautiful, free, and emphasized vitality, manifestation, and deed. From no source, either so impregnate with life or simplicity, can we, for example, better understand the Hellenic spirit and Greek history, or at least grasp the principle of that content, which this people embodied, and which it brought with it when it first set forth to engage in the conflict of its wholly authentic history, than from this of the poet Homer. ”

“ In the production and contemplation of these we appear to escape the principle of rule and system. In the creations of art we seek for an atmosphere of repose and animation as some counterpoise to the austerity of the realm of law and the sombre self-concentration of thought; we seek for blithe and powerful reality in exchange for the shadow-world of the Idea. And, last of all, the free activity of the imagination is the source of the fair works of art, which in this world of the mind are even more free than Nature is herself. ”

“ Some unity there always is: but in the life of mere appetite and impulse, even when these impulses are our nobler sentiments of love and hatred, the unity falls very far short. Or, as he puts the theme elsewhere, the soul has a passion for self-completion, a love of beauty, which in most is but a misleading lust. It is the business of the philosophic life to re-create or to foster this unity: or philosophy is the persistent search of the soul for its lost unity, the search to see that unity which is always its animating principle, its inner faith. ”

“ Youth, say these teachers, sees the bright light of dawn: but the older generation lies in the slough and mire of the common day. They admit that the special sciences are something that certainly ought to be cultivated, but merely as the means to satisfy the needs of outer life. In all this it is not humility which holds back from the knowledge and study of the truth, but a conviction that we are already in full possession of it. And no doubt the young carry with them the hopes of their elder compeers; on them rests the advance of the world and science. ”

“ Philosophy, on the contrary, does not deal with a determination that is non-essential, but with a determination so far as it is an essential factor. The abstract or unreal is not its element and content, but the real, what is self-establishing, has life within itself, existence in its very notion. It is the process that creates its own moments in its course, and goes through them all; and the whole of this movement constitutes its positive content and its truth. ”

“ These plastic shapes of beauty are not merely stone and bronze, but also the infinite form of subjective life vanishes from them in their content and expression. We may become as enthusiastic as we please over their beauty and art, but for all that our enthusiasm is and remains something native to our own souls; it is not really at home in the objects which it thus contemplates, that is in the gods themselves. To complete the true totality a real reciprocity is required on this side also of the subjective, self-knowing unity and infinity ”

“ If we look at the Dutch masters in this light we shall no longer entertain the view that the art of painting should have said good-bye to such subjects altogether, and merely confined itself to depicting the gods of old, myths, and fables, or even Madonna pictures, crucifixions, martyrs, popes, and saints of both sexes. What is a vital ingredient of every work of art is inseparable also from painting, and this is the observance of what generally concerns our humanity, the spirit and characterization of man, in other words what man is and what each individual is. ”

“ Thus, Man, beginning as a percipient consciousness, apprehending single objects in space and time, and as an appetitive self bent upon single gratifications, has ended as a rational being,—a consciousness purged of its selfishness and isolation, looking forward openly and impartially on the universe of things and beings. He has ceased to be a mere animal, swallowed up in the moment and the individual, using his intelligence only in selfish satisfactions. He is no longer bound down by the struggle for existence, looking on everything as a mere thing, a mere means. ”

“ What must first of all occur to us is the question whether Fine Art in itself is truly susceptible to a scientific treatment. It is a simple fact that beauty and art pervade all the affairs of life like some friendly genius, and embellish with their cheer all our surroundings, mental no less than material. They alleviate the strenuousness of such relations, the varied changes of actual life; they banish the tedium of our existence with their entertainment; and where nothing really worth having is actually achieved, it is at least an advantage that they occupy the place of actual vice. ”

“ Had humanity not tasted of this forbidden fruit, it might dispense with all philosophy. But in humanity there is a wish implanted to behold that region lying beyond the individual; and to behold it not merely in a reflected light but face to face. The first who raised a question about God's existence broke through the barriers, he shook humanity in its main foundation pillars, and threw it out of joint into an intestine strife which is not yet settled, and which can only be settled by advancing boldly to that supreme point from which the speculative and the practical appear to be at one. ”

“ The art of music, on the contrary, as we have repeatedly pointed out, possesses as a means to such objectivity merely the element of the soul-life itself, by means of which that which purely belongs to this enters into conversation with itself, and as expressed in the utterance of emotion itself returns, as it were, upon itself. Music is spirit or soul, which ring forth in their untrammelled immediacy, and derive satisfaction in this record of their self-knowledge. As a fine art, however, it is its necessary function to regulate the expression of such life no less than its effects. ”

“ If such fellow-feeling is not forthcoming we find the very heart of us troubled to its depths and infinitely bruised. We have lost at one stroke all humanity, friendship, and love. We are unable to put away with whatever act of pedantry or rudeness may be in question, some trivial circumstance or stupidity over which the vision of any character of breadth or strength would pass without a tremor. It whirls away the thought of everything else, and that which is by itself of least significance proves to be that which finally most reduces us to despair. ”

“ The Kingdom of God—the Soul—the moral law—is within us: within us, as supreme, supra-personal and infinite intelligences, even amid all our littleness and finitude. Even happiness which we stretch our arms after is not really beyond us, but is the essential self which indeed we can only reach in detail. It is so both in knowledge and in action. Each knowledge and enjoyment in reality is limited and partial, but it is made stable, and it gets a touch of infinitude, by the larger idea which it helps to realise. ”

“ It is this volatile emanation of the soul exhibited on a non-transparent surface which is one of the most difficult problems of painting. For this ideality, this reflex of the inward life of soul must not appear on a surface as imported there, must not be pasted there as so many streaks, hatchings, and so forth of material colour, but seem to us itself to belong to the living whole [300] , a transparent depth, as the blue of heaven, which offers our vision no repellent surface, but one in which we are infallibly invited to unfold. ”

“ The true peculiarity of a philosophy is the interesting individuality, in which reason has organised itself a form from the materials of a particular age; in it the particular speculative reason finds spirit of its spirit, flesh of its flesh; it beholds itself in it as one and the same, as another living being. Each philosophy is perfect in itself, and possesses totality, like a work of genuine art. ”

“ Its task—its supreme task—is to explicate religion. But to do so is to show that religion is no exotic, and no mere revelation from an external source. It is to show that religion is the truth, the complete reality, of the mind that lived in Art, that founded the state and sought to be dutiful and upright: the truth, the crowning fruit of all scientific knowledge, of all human affections, of all secular consciousness. Its lesson ultimately is that there is nothing essentially common or unclean: that the holy is not parted off from the true and the good and the beautiful. ”

“ What he feels is at once wafted into melody, just as the life of a painter is impressed upon form and colour, or that of a poet is transmuted into the creations of his imagination, that poetry which clothes his ideas in the beauty and music of the written word. And this gift of vital form the artist does not merely possess as an imaginative power, a phantasy, an emotional impulse "that leaves not a wrack behind," but as a direct stimulus of feeling to active enterprise, as a gift, that is, of real executive accomplishment. ”

“ When we have grasped this trait of happy independence and freedom of the soul in love we shall understand the character of the greatest Italian painters. It is in this freedom that they are masters of the detail of expression, and situation. On the wings of this tranquillity of soul they can maintain their sovereignty over form, beauty, and colour. In their most defined presentation of reality and character, while remaining wholly on the earth and often only producing portraits, or appearing to produce such, what we have are pictures of another sun, another spring. ”

“ A philosophy, which affirms that God and God-alone is, should not be stigmatised as atheistic, when even those nations which worship the ape, the cow, or images of stone and brass, are credited with some religion. But as things stand the imagination of ordinary men feels a vehement reluctance to surrender its dearest conviction, that this aggregate of finitude, which it calls a world, has actual reality; and to hold that there is no world is a way of thinking they are fain to believe impossible, or at least much less possible than to entertain the idea that there is no God. ”

“ It is literally sanity of soul, integrity and purity of spirit; it is what has been sometimes called the beautiful soul—the indiscerptible unity of reason and impulse. Plato's bravery, again, is fortitude and consistency of soul, the full-blooded heart which is fixed in reason, the zeal which is according to knowledge, unflinching loyalty to the idea, the spirit which burns in the martyrs to truth and humanity: yet withal with gentleness and courtesy and noble urbanity in its immediate train. ”