Richard Falckenberg

Biographical details

Richard Falckenberg,  History of Modern Philosophy — Introduction

“ The character of ancient philosophy or Greek philosophy,—for they are practically the same,—is predominantly aesthetic. The Greek holds beauty and truth closely akin and inseparable; “cosmos” is his common expression for the world and for ornament. The universe is for him a harmony, an organism, a work of art, before which he stands in admiration and reverential awe. In quiet contemplation, as with the eye of a connoisseur, he looks upon the world or the individual object as a well-ordered whole, more disposed to enjoy the congruity of its parts than to study out its ultimate elements. ”
Source: Wikisource

Richard Falckenberg,  History of Modern Philosophy

“ Religion grows out of the longing after the infinite, it is the sense and taste for the All, the direction toward the eternal, the impulse toward the absolute unity, immediate experience of the world harmony; like art, religion is the immediate apprehension of a whole. In and before God all that is individual disappears, the religious man sees one and the same thing in all that is particular. To represent all events in the world as actions of a God, to see God in all and all in God, to feel one's self one with the eternal,—this is religion. ”
Source: Gutenberg

Richard Falckenberg,  History of Modern Philosophy — Chapter 1

“ The empiricists merely collect, like the ants; the dogmatic metaphysicians spin the web of their ideas out of themselves, like the spiders; but the true philosopher must be like the bee, which by its own power transforms and digests the gathered material.
As the mind, like a dull and uneven mirror, by its own nature distorts the rays of objects, it must first of all be cleaned and polished, that is, it must be freed from all prejudices and false notions, which, deep-rooted by habit, prevent the formation of a true picture of the world.
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Source: Wikisource

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