Summary

Richard Falckenberg History of Modern Philosophy — Introduction

Thinkers in whom this aesthetic reverence is weaker than the analytic impulse—especially Democritus—seem half modern rather than Greek. By the side of the Greek philosophy, in its sacred festal garb, stands the modern in secular workday dress, in the laborer’s blouse, with the merciless chisel of analysis in its hand. This does not seek beauty, but only the naked truth, no matter what it be. It holds it impossible to satisfy at once the understanding and taste; nay, nakedness, ugliness, and offensiveness seem to it to testify for, rather than against, the genuineness of truth.
Source: Wikisource

Richard Falckenberg History of Modern Philosophy — Introduction

The character of ancient philosophy or Greek philosophy,—for they are practically the same,—is predominantly aesthetic. The Greek holds beauty and truth closely akin and inseparable; “cosmos” is his common expression for the world and for ornament. The universe is for him a harmony, an organism, a work of art, before which he stands in admiration and reverential awe. In quiet contemplation, as with the eye of a connoisseur, he looks upon the world or the individual object as a well-ordered whole, more disposed to enjoy the congruity of its parts than to study out its ultimate elements.
Source: Wikisource

Richard Falckenberg History of Modern Philosophy — Introduction

Doubt and trust are strangely intermingled, and a feeling of expectation stirs all hearts. On the one side stands sinful, erring man, who, try as hard as he may, only half unravels the mysteries of revealed truth; on the other, the God of grace, who, after our death, will reveal himself to us as clearly as Adam knew him before the fall. God alone, however, can comprehend himself—for the finite spirit, even truth unveiled is mystery, and ecstasy, unresisting devotion to the incomprehensible, the culmination of knowledge.
Source: Wikisource

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