William Michael Rossetti and Marion Harry Alexander Spielmann

Biographical details

William Michael Rossetti and Marion Harry Alexander Spielmann 1911 Encyclopædia Britannica (1911)

With respect to their merits, they count among the best of Raphael’s productions; Lanzi even pronounces them to be in beauty superior to anything else the world has ever seen. Not that they all present features of perfect loveliness, and limbs of faultless symmetry,—this is far from being the case; but in harmony of design, in the universal adaptation of means to one great end, and in the grasp of soul which they display, they stand among the foremost works of the designing art. The history of these cartoons is curious.
Source: Wikisource

William Michael Rossetti and Marion Harry Alexander Spielmann 1911 Encyclopædia Britannica (1911)

In painting, a cartoon is used as a model for a large picture in fresco, oil or tapestry, or for statuary. It was also formerly employed in glass and mosaic work. When cartoons are used in fresco-painting, the back of the design is covered with black-lead or other colouring matter; and, this side of the picture being applied to the wall, the artist passes over the lines of the design with a point, and thus obtains an impression.
Source: Wikisource

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