1911 Encyclopædia Britannica, Volume 13… (1911)
“ Professor Ward, one of Heywood’s most sympathetic editors, points out that this epigrammatic statement can only be accepted with reservations. Heywood had a keen eye for dramatic situations and great constructive skill, but his powers of characterization were not on a par with his stagecraft. He delighted in what he called “merry accidents,” that is, in coarse, broad farce; his fancy and invention were inexhaustible. It was in the domestic drama of sentiment that he won his most distinctive success. ”
